Tagged: evandros

The Labyrinthine Journey by Luciana Cavallaro

(Cover picture courtesy of the author.)

Follow Evan as he continues his odyssey as Servant of the Gods in The Labyrinthine Journey. The quest to locate the sacred object adds pressure to the uneasy alliance between Evan and the Atlanteans. His inability to accept the world he’s in, and his constant battle with Zeus, both threaten to derail the expedition and his life.

Traversing the mountainous terrain of the Peloponnese and Corinthian Gulf to the centre of the spiritual world, Evan meets with Pythia, Oracle of Delphi. Her cryptic prophecy reveals much more than he expected; something that changes his concept of the ancient world and his former way of life.

Will Evan and his friends succeed in their quest to find the relics and stop the advent of Christianity?

[Full disclosure: I received a free ebook from the author in exchange for an honest review.]

After the cliffhanger of the first book, I was very excited to get an email from Luciana asking if I’d like to read and review the second book.  Although I was worried that since two years had passed it would be hard to get into the second book without reading the first one again.

However, I didn’t need to worry at all.  There’s a nice amount of exposition in the first few chapters that catches the reader up quickly and relatively unobtrusively.  We get re-introduced to our cast of characters including Evan, the High Priestess, Hektor, Homer and Phameas.  We also re-hash just enough of the plot of the first book to remember that Evan and his crew are on a mission to save the Greek gods from oblivion and have found one of apparently two objects that will accomplish this.

The Labyrinthine Journey is a fast-paced romp through the ancient Greek world as Evan (called Evandros in this time) and his crew search for the second piece of the puzzle.  Of course, things aren’t always so simple and as they find out on their journeys, they truly need three artefacts and thus the title The Labyrinthine Journey is completely justified.  They have to journey across Greece to consult the Pythia at Delphi and then the real journey begins when they learn the second artefact is on the island of Thira (or Thera, modern Santorini) in the ruins left by the massive volcanic eruption years ago.  And that’s not even the hardest part.  Because where the Greek gods are concerned, absolutely nothing is simple.

The relationships we saw in the first book have changed slightly as Evan adjusts to his new life as Evandros.  He still hates Hektor’s guts but Homer, Dexion and Leander attempt to keep things from getting violent between the two.  Alexina, the High Priestess is both more familiar and more enigmatic as we discover the full extent of her powers the Mother Goddess has granted her now that she’s in possession of the golden serpent.  And the growing romance between Alexina and Leander is subtle but sweet.  What intrigued me was that although we saw a little more of Melaina, Kronos’ daughter, her motives are still as mysterious as they were in the first book.  On one hand, her father is Kronos but on the other hand, there seems to be a bit of an attraction to Evandros at play and she does seem to want to help him.  However, the gods and the titans are not always straightforward.  While I can guess at her motivations, it should be fascinating to see what side she’s truly on in the third book.  That’s part of what I like about all of Luciana Cavallaro’s writing, from her short stories to this full-length series: she is truly good at creating ambiguous characters (which comes in handy where the Greek gods are concerned).  And no matter whether a character is mostly good or mostly bad, they are always interesting.

What I really appreciated (other than the amazing character-building) was the amount of research that went into The Labyrinthine Journey.  Not only about the big events going on in the Greek world at the time (the revolt of the Messenians, democracy in Athens, etc.), but the little details like all of the temples and statues being painted in bright colours.  We’re used to seeing the beautiful white marble statues and remains of temples and great buildings but ancient Greece, like the rest of the ancient Mediterranean was colourful and vibrant.  And where history and myth are silent, Cavallaro makes up something new that is also entirely believable like the Amazons on their far-flung island.  It fits seamlessly into the greater stories that make up what we know today under the umbrella term of ‘Greek myth’.

If you loved Search for the Golden Serpent, you will enjoy The Labyrinthine Journey as much as I did.  It’s a great sequel that definitely doesn’t suffer from the plot bloat that most second books do.  So go ahead and buy it!  You won’t regret it.

And if you haven’t read the first book but figure the story sounds interesting, I highly recommend trying out Search for the Golden Serpent.  If you love Greek myth and/or historical fantasy, you will love it.

I give this book 5/5 stars.

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Search for the Golden Serpent by Luciana Cavallaro

Pageflex Persona [document: PRS0000037_00044](Cover picture courtesy of the author.)

It’s not where he appears, it’s when.
What if you’re born during another time grew up in the 21st century and thrust back into the past? Confused? So is architect, Evan Chronis.
Evan drawn by screams ventures out to his backyard and sees blood trickling down the limestone steps. He steps off the veranda and finds himself in the days of great and marvellous power, a time when the gods ruled the universe.
To return to the 21st century life he longs for, he must risk his life in search of powerful, treasured relics older than the Holy Grail. But what he finds might be more than he expected.
Will Evan find the relics and return home or will he remain forever stuck in a world so different from his own?

[Full disclosure: I was contacted by the author and provided with an ebook in exchange for an honest review.]

I’ve read quite a few of Luciana Cavallaro’s previous works so I was pretty excited to read Search for the Golden Serpent.  The only problem was that she had previously only published short stories and I was a little worried about how she would transition into longer works like this one.  After all, a 354 page novel is not the same as a 40 page short story.  Still, I was more than ready to give her a chance.  In the end, I honestly didn’t even need to worry in the slightest.  Her debut novel is just as good as her previous short stories, even better in many ways.

Evan Chronis is a very memorable character.  In the modern world he’s a successful architect who absolutely adores his job.  Then Zeus decides that he’s needed back in his real time: the early years of ancient Greece, after the sinking of the mythical Atlantis.  I don’t know about you but being immersed in the modern world and suddenly being contacted by a god who drops you in the ancient world would be a little jarring to say the least.  Evan, understandably, really doesn’t handle it all that well in the beginning until he begins to speak the language and make friends.  But poor Evan, called Evandros in his own time, doesn’t ever really get a break: Zeus and the other gods have sent him on a mission to recover powerful artifacts to prevent their eventual fading into historical fiction in the modern era.

He really does have a remarkable physical journey but also a mental and emotional one.  When he goes back to the past he fights it tooth and nail, desperate to go back to our own time.  However, when he realizes that his only option is to recover the artifacts he throws himself fully into the task.  In the beginning Evan is also a little arrogant in his own way, utterly convinced that the people in the past are more primitive and somewhat inferior.  Yet through his journeys he tends to appreciate them a little more and realize that many ancient cultures had more accomplishments than just their fantastic architecture.  And when he befriends Phameas on the ship that rescues him and is forced to learn an entirely new language in a very short time, it sort of humbles him.  He learns a lot on his journey and it was really interesting to see how his character changed throughout the course of the novel.

One of the things I absolutely loved is that Luciana Cavallaro has clearly done her research.  She so vividly describes past cultures that we very rarely read about in historical fiction that you feel like you’re really there.  From the streets of Carthage to the temples of ancient Egypt and a ship from Phoenicia, you will feel totally immersed in the world of the ancient Mediterranean.  It’s brilliant because it shows old empires like Egypt and contrasts it with the rising might of the Greeks.  It’s so rare in historical fiction to get a more international picture like this one and it’s a real treat to have it handled by an author with such a passion for history.  Obviously Evan and his group are fiction but many of the main events and where they occurred are real.  It’s absolutely fascinating and I’m not really doing it justice with this description.

The plot begins a little slow but that’s quickly remedied as Evan is contacted by Zeus and is forced to become Evandros, the version of himself that was raised solely in the past instead of just being born in it.  I suppose some people will find Evan’s period on the Phoenician ship a little boring but I really enjoyed his adjustment period as he learned more about the world he was suddenly dropped into.  It helps that Evan’s point of view is interspersed with scenes with the gods, who are more than a little worried about their fate as well as scenes with the rest of his crew, who are understandably wondering where the Evandros they knew and loved has gone and whether or not he’s even alive.  By the time I got to the end of the book I was on the edge of my seat, anxious to see what would happen next. The ending was a cliffhanger but it was a good place to stop and it was a fairly satisfying end.  It made me want more but I had fewer questions than when I started out.

Luciana Cavallaro really has a gift for making you care about her characters and their fates even if you don’t necessarily think they’re sympathetic or likeable.  That much was obvious from her short stories but she really transitioned into a longer work really well.  The beautiful descriptions that were the hallmark of her short stories for me are expanded and add so much more to the richness of the world she brought to life.  So if you loved Cavallaro’s short stories, you will also love Search for the Golden Serpent.  And if you’re never ready anything by her, you need to pick up one of her short stories and/or pre-order a copy of her debut novel.  You certainly won’t regret it.

I give this book 5/5 stars.

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