Tagged: masq2

My Interview with Amanda Hocking

 

Amanda Hocking Amanda Hocking is the best-selling author of the Trylle trilogy, the Watersong series and now the Trylle spin-off the Kanin Chronicles.  She’s one of the most famous examples of self-published authors making it to the big time after selling over a million ebook copies of her books.  Read on for our discussion of the difficulties of writing a spin-off series, why her trolls are losing their powers over the generations and possible future character deaths in her latest series.

 

1.  What made you decide to do another series in the Trylle world?

Because Wendy was a newcomer who didn’t know much about the society, the Trylle series had such a narrow focus. There is so much more to the world of the trolls that I was only able to touch on in the Trylle series, and I wanted to be explore it deeper. I also got a lot readers asking me, “What’s it like to be a tracker?” So with this series, I wanted to show the troll world as on a larger scale, and to see the world through the eyes of a tracker.

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The Game of Thrones Rape Problem

*Obviously a triggery subject so take care in reading on.

**Also, I will be using language far more foul than I usually do because I will be quoting directly from the show.

***Spoilers are present up until the point Season 4 ends, both in the show and in the books.

As I stated in my most popular article, Why Girls Hate Game of Thrones—A Rebuttal, I love the TV show Game of Thrones and I absolutely believe it is wrong to state with such a sweeping generalization that all women hate it.  That would be like saying all men loathe romantic comedies or all little girls play with Barbies.  It’s wrong to make such a generalization and it does a disservice to women who happen to be fantasy fans as well.  But as I also mention in the article, while I love Game of Thrones I believe that there are some problems with the show.  The answer to these problems are not really to boycott the show but to try to bring about a reasonable discussion about said problems.  I know that’s hard on the internet and will likely lead to me getting death and/or rape threats, but it’s an important conversation to have.

I want to talk about rape.  Specifically, how it is portrayed and worked into the various storylines in the television show.

But for those of you who don’t read full articles before commenting I want to make a few things clear:

  1. I am not against nor have I ever been against depicting rape in fiction on principle.  It is unfortunately a large part of many women’s and men’s lives, directly or indirectly and it deserves to be depicted because of that.
  2. Portraying something is not the same as condoning or otherwise supporting it.
  3. Any threats I receive over this article will be passed on to the RCMP.  I will also be heavily moderating the comments section here on this article so before you comment, go over and read my commenting policy.  No, my blog is not a democracy and I will quite happily permanently ban you from commenting if you start spewing vitriol rather than contribute to the discussion.

First off, I want to look at the cases where the depiction of rape was actually justified:

Karl Tanner at Craster's Keep

Case #1: Craster’s Keep and the Deserters of the Night’s Watch

Obviously, this takes place in the fourth season of the show and it is one of the cases where rape and sexual assault are accurately depicted.  I mean, the view we get inside Craster’s Keep under Karl Tanner’s reign of terror is absolutely horrific.  There are women crying, whimpering, covered in dirt and bruised, just otherwise being treated like objects.  Karl Tanner even states his objective: “Fuck them ’til they’re dead!”

It’s a chilling scene and rightly so.  These women have suffered so much under the hand of Craster—who in some cases is their own father sexually abusing them—but to further suffer under men who are supposed to ‘protect the realms of men’ is just even worse.  Even amongst the Free Folk north of the Wall, it shows that women are still not fully the equals of men.  The gender inequality is far worse when you get south of the Wall but it is still most definitely present in the north.

What makes this scene important is not only that it depicts the brutal reality of sexual assault and rape, it is justified within the storyline.  HBO isn’t just including it to increase sexual intention or to titillate viewers.  It actually plays an important role because after Jon Snow and the others liberate the women it wraps up the entire Craster storyline, shows Jon’s budding leadership qualities and gives Bran yet another hard choice because he sees Jon at the keep and has to decide whether or not to call out to him.  In the end Bran chooses not to in favour of finding the Three-Eyed Raven but the fact that he had that choice in the show tells viewers how determined he is and hints at how important his mission is.

Daenerys and Drogo

Case #2: Daenerys’ marriage to Khal Drogo

In the books her wedding night is a little more ambiguous with Drogo arousing her until she finally said ‘yes’ to his advances.  When reading that scene one has to keep in mind the fact that she was 14 at the time so I do say it’s ambiguous.  In a lot of countries the age of consent hovers around 14-15 but there’s a reasonable debate about whether or not a teenager at that age can truly consent to a marriage and all that comes with it.  In Canada the answer is no when the age difference is there but a lot of other countries have a lower age of consent.  However, what happens in the books is not really the problem here.

I was a little troubled when I watched the first episode of Game of Thrones and saw Daenerys being undressed by Drogo and then bent over by him forcibly, still crying.  She was terrified and definitely not consenting, therefore it was unequivocally rape.  However, this is not as troubling an example as the one after this for a very simple reason: it was not gratuitous because it was actually worked into her storyline and affected her character development.

In the beginning, Daenerys is raped nightly by Khal Drogo.  She’s crying and terrified, being forced into a marriage with a hulking foreigner who doesn’t speak her language and doesn’t seem overly concerned about her feelings regarding the situation.  But after talking with her maids and beginning to learn the language, she asks Doreah to help her with her marriage, to let her take control of a situation she has very little control over.  Daenerys eventually succeeds and actually begins to love her husband as he falls in love with her, particularly after they find out she is going to have a son.  The psychological and ethical implications of that aside, it’s really the start of her taking control over her life and leads to her highly independent streak after Drogo’s death.  She becomes a stronger person and overcoming the fact that she was being raped nightly is just one part of the equation.

So while I don’t necessarily see that the change from the books was for the better, it certainly wasn’t for the worse and it was an integral part of Daenerys’ storyline.  In addition to that, it really drives home the point that Game of Thrones is set in a world very different from ours, where marriage is a license for rape, women are cattle, men kill each other over nothing and the smallfolk are caught in the middle of the game of thrones the lords play.  It’s an important part of portraying the real culture of inequality that permeates every aspect of that society.

To sum up: Yes, I believe that this was a justified portrayal within the context of the story.

Now, I want to look at the one really glaring example where rape was absolutely not justified.

Cersei Jaime Sept of Baelor

Case #3: The Sept of Baelor Scene

This particular rape scene takes place in Season 4 in the Sept of Baelor during Joffrey’s wake.  Jaime comes in after Tywin takes Tommen out, dismisses every single person so that he can be alone with Cersei and rapes her.  The first time I watched the scene I thought that I saw Cersei reaching for Jaime’s belt after he gets her on her back but I’ve gone over the scene since then and am left with the feeling that this was pretty clearly rape.  She and Jaime kissed pretty passionately with positive responses on both sides but then Cersei moves away.  Jaime then grabs her, kisses her and starts to rip off her clothes while moving her toward the floor.  All the while, Cersei says: “Jaime not here, please.  Please.  Stop it!  Stop it!  It’s not right.”  Even though she consented to that kiss, Jaime should have backed off the second he saw her move away.  But he didn’t.  Instead, he grabs her and forcibly kisses her.  Even when she tells him to stop—which is pretty clearly a ‘consent not given’ message—he continues anyway.  She was verbally refusing to have sex with him and since he didn’t accept this refusal, this is rape.  You can watch the scene for yourself:

The problem with this whole scene is not that rape took place in a pretty disturbing setting, it’s the fact that it was completely gratuitous.  There is no justification within the show for making this scene.  Let me state my case.

First off, in the books the sex was consensual because Cersei hadn’t seen Jaime yet and he just appeared to her for the first time in almost two years, even if it was at her son’s wake.  She initially protested about the wrongness of the location but then said to Jaime: “Hurry…quickly, quickly, now, do it now, do me now.”  That’s a far cry from “Jaime not here, please.  Please.  Stop it!  Stop it!  It’s not right.”

I don’t mind the fact that the producers and writers decide to change scenes from the book to fit the show a little bit more.  It makes sense for Jaime and Cersei not to have frantic, consensual sex in the Sept of Baelor after their son dies because Jaime’s been back since before the wedding.  But does it really make sense to have Jaime rape Cersei?  I think not and when I discussed this with my dad, who follows the show as well, he and I were in agreement.  And he said something that makes a lot of sense to me: “What kind of a man would have sex near the body of his dead child?”

That got me thinking.  Even if Jaime was frustrated because Cersei refused to have sex with him (as seen in episode one of the fourth season), is he still the kind of man who would have sex near the body of his dead child?  He was never close to Joffrey in the show but at the same time I don’t think he is that kind of man anymore.  I don’t have much doubt that he could have done it in the first season but now, after all that he’s been through with Brienne, confessing some of his past and showing himself in actions if not words to be a better person?  I don’t think so.  The kind of man who risks his life to save a woman he doesn’t even particularly like from a bear is not the kind of man who would have sex near the corpse of his son.  It just doesn’t fit Jaime’s character, particularly when you consider the character rehabilitation he underwent after the loss of his hand and the confession to Brienne what really happened during the fall of King’s Landing all those years ago.  And it presents a lot of problems later in the season as Jaime seems to go back to his new nicer self, begging the question: what the hell was that little episode?  It’s like the writers wrote the scene and then just ignored the character implications for Jaime other than a token distancing between him and Cersei that was already going on.  That leads to my next point.

My point is that although it doesn’t make sense for both characters (Cersei is not the sort of woman to let a rape by the man she used to love go off with just a bit of cold shoulder), it really doesn’t make sense in terms of the plot.  There was really no need for it!  By refusing Jaime in the first episode and mentioning to Qyburn that her symptoms were “completely gone”, it’s almost certain that she was having an affair while Jaime was gone.  Especially when she tells him he “took too long” to get back and that “everything’s changed”.  By that point, their relationship was already crumbling; it didn’t need the rape to make a clear break between the two.  The writers could have just gradually let their relationship fall apart over the course of the story, inserting that clear break when Jaime refuses to kill Tyrion and supports him during the trial.

The rape scene was just completely gratuitous and that’s why I really don’t agree with it making it into the episode.  If you’re going to change the timeline and the storyline from the books, you should have a good reason for doing so (which they did) and do it in a way that makes sense for the rest of the story (which they didn’t).  And the fact that the most revenge Cersei takes on Jaime for raping her near the corpse of her firstborn son is giving him the cold shoulder?  That’s just ridiculous and completely out of character for Cersei.  She’s had people murdered before, as many characters allude to and she didn’t let Robert get away with raping her for so long, taking her own revenge in little ways before finally arranging his somewhat accidental death.  I don’t think her character would have allowed Jaime, the man she used to love as much as someone like her can love, to get away so easily.  It just doesn’t make sense.

Game of ThronesThe thing is, I love Game of Thrones and I’m almost bouncing up and down I’m so eager for Season 5 to start on Sunday.  But at the same time, I am able to acknowledge the problems it has.  I don’t really see some of the gratuitous sex as bad but that completely gratuitous rape scene between Jaime and Cersei…that’s a little troubling and even George R. R. Martin couldn’t really justify it to his fans after the controversy swept the internet.  Even if you don’t think it was rape (which, yeah, it was) you can probably agree with me that it didn’t really advance the story any so there was really no point to it.  Jaime and Cersei were already becoming distant and the writers could have easily made Tyrion’s trial the breaking point instead of inserting a scene that was shocking and should have had consequences for the character arcs of both parties involved but didn’t really.  It was just gratuitous and I haven’t even tried to justify it.

But I still do love the show and I firmly believe that depicting things like rape is not glamourizing or condoning them.  I just really wish that Game of Thrones tackled rape in a consistently ‘good’ way rather than inserting shocking scenes just to generate controversy rather than advance the story or the character arcs.


So what do you folks think of all this?  Did the Jaime-Cersei rape scene bother you as much as it did me?  Book readers: how did you feel about the drastic change in that particular scene?  And did anyone else find the lack of aftereffects on both characters and the plot sort of odd, as if the writers were trying to pretend that scene never happened?

Please let me know your thoughts on this topic.  Also, please keep the tone respectful.  I certainly don’t expect everyone to agree with me (because that would be ridiculous) but I expect polite disagreement.  If you can’t manage that, don’t comment.  And if you can’t manage that but still comment don’t be surprised if you’re banned from commenting on this blog ever again.

My Least Favourite Book Tropes: Part Three

In parts one and two of this series I described some of the tropes that most annoy me and I’m going to continue in that griping tradition for part three.  It’s been a while since I’ve done one of these so I’m ready to start ranting!  The usual caveat applies: tropes are not necessarily clichés.  They’re just devices used by authors to tell a story but that doesn’t mean they don’t occasionally stray into the world of cliché.  Some of them annoy me but you, as a reader, may very well love these ones.  It all depends on the person.

Adults are Useless

1.  Adults Are Useless

This is very prominent in YA and in Children’s Fiction because the protagonists in these books are not adults.  So of course they see adults as hindering their progress on whatever mission they’re on rather than what the adults are actually doing: worrying about them.  Sometimes adults deliberately obstruct children’s or teen’s activities and it’s usually in the name of safety.  Other times they’re just being jerks, as every child or teen has found out at some point.

In some ways the trope makes sense—children and teens are more impressionable and more likely to adapt to events going on around them.  For example, if a child is telling an adult that there’s magic and lots of horrible things are happening because of it, then the adult is probably going to be useless and deny the whole thing.  It’s annoying but it’s at least believable.  When this trope is annoying is when all adults are useless, not just some.  That’s just unrealistic and a total caricature.  That’s somewhat expected in children’s fiction but when you’re reading YA it’s just patronizing, even if you are a teenager. Continue reading

The Best and Worst of February 2015

February flew by in the blink of an eye for me.  I don’t know why because I wasn’t particularly busy or anything but it just did.  I suppose that’s a good thing because I’m super-excited about my upcoming trip to New York at the end of May for BEA 2015.  And because I’m also super-excited for season 5 of Game of Thrones on April 12.  So yeah, February was pretty uneventful and yet it flew past.  I can’t really complain about my month this time around.

This month I received 5,169 views in total with 3,407 of those being unique views.  That’s down from January when I received 6,644 views but considering that February only has 28 days this year, that’s not so bad.  I had some pretty bad days stats-wise this February but I also had some good days where I hit the 300 mark compared to my usual 150-200.  Really, like the personal side of my life in February, I can’t complain about the statistics side of things.

So what were the best posts this month?

1.  Why Girls Hate Game of Thrones—A Rebuttal

2.  How to Read 100 Pages in an Hour

3.  The Hunger Games and Ancient Rome

4.  Discussion: One Star Reviews

5.  Why no Writer Wants to Tackle Chronic Pain

We actually have some different articles on the list this month!  My discussion of one star reviews and negative reviews in general was hugely successful both stats-wise and comments-wise.  It was very interesting to see peoples’ takes on the issue, both authors and reviewers.  As for the chronic pain article, that really surprised me because it was never popular, even when it was new.  Since I got more referrals from Facebook than I normally would I’m guessing that someone shared my post on Facebook in either an author’s group or some sort of chronic pain support group.  Whoever it was, thank you and I hope it caused you to think.

Okay, then what were the worst posts in February?

1.  Rotten Romans by Terry Deary

2.  Bullying Under Attack by Various Authors

3.  Have you Finished The Mad Reviewer Reading Challenge? Tell me Here!

4.  Discussion: The Most Underrated Book (For You)

5.  Feyguard: Spark by Anthea Sharp

As far as I remember, these are all new ones here on the worst list.  As with most months, they’re either posts that are extremely dated (#3 being from 2013) or they’re books that are old or really aren’t that popular.  For the first two the latter doesn’t bother me but I was surprised to see Anthea Sharp’s Feyguard: Spark on that list as well because it was an extremely good book.  But oh well.  I can pretty much guarantee that these 5 posts won’t be on next month’s worst list because the ‘worst’ posts always seem to rotate.

Well folks, that was my February.  How was yours?  Did it go by as quickly as mine?  How’s the weather where you are?  Are you as sick of winter as I am of hearing about that stupid #TheDress incident?

Further Thoughts on One Star Reviews

After Saturday’s lively discussion some interesting points were brought up in the comment thread that I’d like to address while talking about some of the wider talking points surrounding one star reviews.  It’s in no particular order but I think it is important to address some of these today:

Author Bashing

Most reviewers aren’t targeting you personally. There’s a difference between criticizing a product and criticizing the person behind the product, which I consider author-bashing.

1.  Giving a one star review does not mean you’re being rude or disrespecting the effort the author put into a book.

Unless you’re author-bashing I see no reason why a one star review can be considered rude as long as it’s your honest opinion and aren’t utterly reveling in taking down the book.  When I do a book review I generally try to follow a format where I point out what I liked/disliked and why (generally) using examples from the book itself.  That’s not rude by any stretch of the imagination.  It’s called having an opinion and articulating it.

As for one star reviews not giving credit for the author’s effort, that’s a bit of a problem.  You see, I don’t care how much time or effort you put into your novel.  I don’t care if you took five years or five months as long as the end product is the same quality.  Reviews are subjective but I generally try to be as objective as possible which means that I’m going to examine the book itself and its merits, not the author’s personal life, how they wrote the book or whether it was traditionally or self-published.  I judge the book on its own merits. 

Separate from my reviewing, I do have a lot of respect for authors who put their work out there.  I’m a blogger that not only writes reviews but opinion articles like this and when you put your hard work out into the world it can sometimes feel like you’re stripping in public and asking complete strangers to rate your naked body.  I get it.  But—and this is a big one—authors need to develop thicker skins.  They shouldn’t be expected to tolerate author bashing or people who tear apart books for fun but if you’re getting offended at someone offering their opinion and backing it up with their reasons, you need to get a thicker skin.  You’re going to get constructive criticism or just plain criticism no matter how rude you think it is so it’s best to grow up a bit and accept that yes, everyone gets criticism.  Which leads into my next point:

Constructive Criticism

2.  Constructive criticism is part of being an author and getting reviews.

There are some who argue that if a blogger doesn’t like a book they should just give it three stars and say the book wasn’t for them.  To me, that’s not only an insult to my intelligence as part of the book consuming public, that’s flat out lying.  I have explained my rating system in the past and my reasons for using five out of a possible five stars so I think authors are warned about what they’re getting into when they submit to me.  However, the problem is that it’s not just me who uses this system: three stars is generally seen as a blogger saying “well, this wasn’t the best book I’ve ever read but there were some good elements and an almost equal number of bad elements.”  It’s still a generally positive review and I will give a three star review if I read a book that meets that criteria.  But a one star novel is not the same as a book that just ‘wasn’t for me’; it has a lot of problems and generally only has one redeeming feature.  Anyone suggesting reviewers just give books three stars if they don’t like them is encouraging dishonesty in book reviewing, plain and simple.

That sort of leads into my main point: if a review is full of criticism, the star ratings don’t soften the blow.  As an author, you are going to get criticism so you need to deal with it like a mature, adult human being.  Part of this is learning how to distinguish good criticism from bad criticism.  By ‘bad criticism’ and ‘good criticism’ I don’t mean ‘criticism you don’t like’ and ‘criticism you do like’.  I mean, that, generally it’s pretty easy to tell good, constructive criticism from criticism that would hurt the integrity of your novel.

For example, good criticism is criticism that is offered along with reasons for that criticism, i.e. “I didn’t like the plot of this novel because it basically follows Harry Potter‘s storyline and thus is very predictable.”  Bad criticism is just “I hated the main character” or “this author sucks”.  If you as an author learn to tell these apart—and I know it’s not always so simple as the examples above—then you’re well on your way to improving.  No one’s first novel is absolutely perfect and people need to start thinking of criticism as just that rather than assigning the word such a negative connotation.  If the criticism is valid, then it’s something to keep in your mind when you’re writing your next novel.  If the criticism isn’t helpful, just ignore it.  When feelings are involved I know it’s not always so simple but both authors and bloggers need to keep the fact that criticism isn’t inherently negative in their minds.

While one star reviews may not hurt your career, overreacting to them by attacking the reviewer certainly will.

While one star reviews may not hurt your career, overreacting to them by attacking the reviewer certainly will.

3.  In general, one star reviews don’t really seem to hurt authors.

Unfortunately, there is no research out there that says [x] percent of readers will not buy a book if they see a one star review.  However, from anecdotal experience and the posts of other bloggers I think I can pretty safely say that in general one star reviews will not harm your books’ sales.    Here’s why:

When most people go to buy a book or check it out on Goodreads, they’ll look at the cover first.  Good, professionally designed cover?  Check.  Then they’ll probably check out the blurb to see if it’s interesting.  Is the blurb interesting and do its contents appeal to them?  Check.  That’s where a lot of people stop but if they go on to the final stage of looking at the reviews they’ll probably look at both the positive and negative reviews.  If most of the negative reviews say “this book sucks amazon didn’t deliver it to me in 2 days” then they’re probably going to discount them.  Or, to use a less extreme example, if a negative review says essentially “this book is about mermaids and I don’t like mermaids so I’m giving it one star” they’re still going to buy the book if they liked mermaids.  They may even be a little more enthusiastic about buying the book because although not every reviewer likes mermaids in fiction, they absolutely love them.  It all depends on individual tastes, not necessarily the quality of your book.  (On a side note, if you have mostly one star reviews, you can start worrying about the quality of your book.)

What this means is that you’re better off spending time and money on your cover and your blurb than you are worrying about a one star review you got from a book blogger.  If a person is already lured in by your awesome cover and their interest is piqued by your blurb, they’re not really going to care what a one star review is saying if there are ten 4 or 5 star reviews for every one star review.


These are essentially my thoughts on one star reviews.  They’re not disrespectful to authors as long as they’re offering up reasons for their criticism, authors need to grow thick skins and accept that they will get criticism and finally, recognize that a couple of one star reviews are not going to hurt their career.  It’s tough when a book you’ve worked on for months, usually years, gets a bad rating but that’s just a part of being an author and putting your book—your product—out there into the world.  If you can’t accept that yes, you will get criticism, you’re better off not publishing at all.