Tagged: sulla

Fortune’s Favorites by Colleen McCullough

Fortune's Favorites(Cover picture courtesy of Avon Romance.)

In a time of cataclysmic upheaval, a bold new generation of Romans vied for greatness amid the disintegrating remnants of their beloved Republic.  They were the chosen…and the cursed—blessed with wealth and privileged yet burdened by the dictates of destiny in a savage struggle for power that would leave countless numbers crushed and destroyed.  But there was one who would tower above them all—a brilliant and beautiful boy whose ambition was unparalleled, whose love was legend, and whose glory was Rome’s: a boy they would one day call “Caesar.”

While Sulla features heavily in the first part of Fortune’s Favorites, make no mistake: this is the story of Gaius Julius Caesar and his brutal early years.  You know, Colleen McCullough’s portrayal of Caesar is the most sympathetic I’ve ever come across and yet he really does some horrible things.  He crucifies all those pirates (but broke all their legs except the leader so they’d die quicker) and was utterly ruthless in Spartacus’ revolt as he served under Marcus Crassus.  At the same time I had difficulty not shedding at least a few tears at his pure grief when his aunt Julia and his wife Cinnilla died.

Sulla is fully developed as a character now; his story is clearly done by the time he gives a gigantic middle finger to Rome at the time of his retirement.  That’s when we really get into the Julius Caesar chronicles and things start to get a little more hopeful.  Sulla was always such a ruthless guy but out of all the characters you couldn’t help but cheer for him once Gaius Marius went crazy.  It was sad to see him go downhill over such a long period of time.

So it was a nice break to see Caesar finally start to succeed in life.  His bargaining with Nicomedes of Bithynia for a navy, the sheer gall he had in facing the pirates when he was captured and his strategies during the Third Servile War all seemed so satisfying, so realistic because Colleen McCullough really put a lot of effort into his character.  There are so many ways a sympathetic portrayal of Julius Caesar can go wrong (mainly the fact that hey, he did some pretty awful things) but in Fortune’s Favorites you can’t help but love him.  Even his ruthless streak.

As I mentioned in my review of The Grass Crown, Colleen McCullough has a ridiculously addictive writing style.  This book is 1004 pages long and I read it over the course of just four days, sneaking in a few minutes here and there.  Considering how busy I’ve been lately that’s quite an achievement and a testament to how much I really enjoy her writing.  She makes you really feel like you’re there in the ancient world along with all these historical figures you’ve read about for years.  (In my case, anyway.)

Really, if you haven’t picked up Colleen McCullough’s Masters of Rome series, you need to start now.  The crazy page counts are worth it.

I give this book 5/5 stars.

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The Grass Crown by Colleen McCullough

The Grass Crown by Colleen McCullough(Cover picture courtesy of The Incurable Bluestocking.)

Throughout the Western world, great kingdoms have fallen and despots lay crushed beneath the heels of Rome’s advancing legions.  But now internal rebellion threatens the stability of the mighty Republic.  An aging, ailing Gaius Marius, heralded conqueror of Germany and Numidia, longs for that which was prophesied many years before: an unprecedented seventh consulship of Rome.  It is a prize to be won only through treachery and with blood, pitting Marius against a new generation of assassins, power-seekers and Senate intriguers—and setting him at odds with the ambitious, tormented Lucius Cornelius Sulla, once Marius’s most trusted right-hand man, now his most dangerous rival.

It goes without saying that we get to see things from the POVs of our old favourite characters Marius and Sulla but I for one welcomed the introduction of other characters.  Livia Drusa was a fantastic female character and her situation really gave me more insight into the plight of aristocratic women in Rome.  And of course who can forget the precocious young Gaius Julius Caesar, who is feared by Marius because of old Martha’s prophecy that he would surpass his uncle?  As with how it actually happened, Marius’s declining health and mental state led to Sulla’s meteoric rise up the ranks of the Roman hierarchy.  The way Colleen McCullough chose to tell the story was very telling: Marius, whose star is fading, receives very little page time while Sulla takes the main stage.

While I can see where this new expanded set of characters might confuse some readers, if you’ve read The First Man in Rome you’ll have no trouble following the many intrigues of The Grass Crown.  The Social War is sort of the main war in this book and it’s certainly not simplistic.  What fascinated me the most was the different approaches the many Senators took to the war and how they proposed to stop the Italian rebellion and discourage future rebellions.  Pompey Strabo Carnifex, true to his name (‘Pompey Cross-Eyed Butcher’ in English) was a truly horrible character that demonstrated the worst the patrician class had to offer.  There are just so many different, complex characters that if I start on them now this review will turn into an essay.

In essence the characters drive the story, whether they’re Roman or not since we get to see things from all points of view.  The plot is not fast-paced by any stretch of the imagination and yet Colleen McCullough’s writing is just too good to put down.  She truly cares about historical accuracy and her writing immerses you in the cutthroat world of ancient Rome.  From the halls of the Senate to the blood-soaked streets of Rome all the way to the far east of the empire, you’ll feel like you’re really there with the characters watching the events play out.  And that, my friends, is a special talent very few writers possess.

With the end being such a cliffhanger I had no choice but to dive straight into the next book, Fortune’s Favorites.  Truly, Colleen McCullough has an addictive writing style.

I give this book 5/5 stars.

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The First Man in Rome by Colleen McCullough

The First Man in Rome by Colleen McCullough(Cover picture courtesy of Avon Romance.)

When the world cowered before the legions of Rome, two extraordinary men dreamed of personal glory: the military genius and wealthy rural “upstart” Marius, and Sulla, penniless and debauched but of aristocratic birth.  Men of exceptional vision, courage, cunning, and ruthless ambition, separately they faced the insurmountable opposition of powerful, vindictive foes.  Yet allied they could answer the treachery of rivals, lovers, enemy generals, and senatorial vipers with intricate and merciless machinations of their own—to achieve in the end a bloody and splendid foretold destiny…and win the most coveted honor the Republic could bestow.

After reading so many Young Adult books of late, reading something as heavy as The First Man in Rome was a refreshing challenge.  Trust me, even if you know your Roman history well, this is a book that you should not read when you’re tired.  You will forget all of the plot points.

I first fell in love with Colleen McCullough’s writing after reading The Song of Troy because her portrayals of historical characters were amazing.  She made it feel that not only was I alongside these famous people, but that I truly understood them.  Well, she does the exact same thing in The First Man in Rome.  From Marius’ brilliant leadership in the battlefield to his dismal political career, I really feel like I know the legend as a man.  We see the soft side of him when it comes to Julia, his more ruthless streak at the end of the novel and his never-ending ambition to become the First Man in Republican Rome.  He’s a larger-than-life character and yet he seems extremely accessible.  Contrast that to the brilliant, but debauched young patrician Sulla who develops the ruthless streak he was known for later in life.  These two have an unlikely friendship, but it’s one that I absolutely love because it shows that not everything is in black and white.

If you don’t know much about Roman history, I can see where you would get confused by The First Man in Rome.  Thankfully, Colleen McCullough includes a well over 200 page index that tells you everything from the English translations of Latin curses (very creative!) to the history behind many of the events characters refer to.  But if you’re like me and have someone like Mike Duncan to thank for your knowledge of ancient Rome, you’ll just breeze through The First Man in Rome.  In terms of historical accuracy, I can’t pick away at it.  Everything is well researched and McCullough does an excellent job of defending her hypotheses in places where there are gaps in the historical record.

I wouldn’t call this a fast-paced book, but it’s not meant to be either.  It’s meant to be a sprawling novel in order to draw you in to the cutthroat world of Roman politics and to explore the lives of the main players.  The strange thing about Colleen McCullough’s books is that they have this sort of grand, epic feel to them that I can’t quite explain.  It’s like you know they’re on par with classic novels, but there’s no sense that McCullough was trying really hard for that ‘classic novel’ status.  Her books feel like epic novels in an effortless sort of way and that’s really part of the attraction of her writing: it’s larger-than-life, yet accessible to most readers.  That’s why, despite the intimidating length and amount of time I need to spend on them, I’ll certainly be continuing her Masters of Rome series.

I give this book 5/5 stars.

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Emperor: The Death of Kings by Conn Iggulden

(Cover picture courtesy of Barnes and Noble.)

In a sparsely settled region of North Africa, a band of disheveled soldiers turn their eyes toward one man among them: their leader, Julius Caesar.  The soldiers are Roman legionaries.  And their quarry is a band of pirates who dared to kidnap Julius Caesar for ransom.  Now, as Caesar exacts his revenge and builds a legend far from Rome, his friend Marcus Brutus is fighting battles of another sort, rising to power in the wake of the assassination of a dictator.  Once, Brutus and Caesar were as close as brothers, devoted to the same ideals and attracted to the same forbidden woman.  Now they will be united again by a shock wave from the north, where a gladiator named Spartacus is building an army of seventy thousand slaves—to fight a cataclysmic battle against Rome itself.

In The Death of Kings, Conn Iggulden has managed to simultaneously thrill and annoy me.  He thrills me with his wonderful writing, the characters he brings to life and his fast-paced plot, yet he manages to annoy me in his usual fashion when he changes major historical events to suit his narrative.  But before I start ranting, let me list the many reasons to read this novel.

It is mostly historically accurate and Iggulden excels in bringing near-mythical figures like Caesar, Sulla, Marius, Pompey and Cato the Younger to life.  In their own time they were the leading men of Rome, but they had not achieved the legendary status they have today.  Iggulden takes that into account as he develops these characters that are not much different than you or I.  They love, lust, fight, cry, rejoice and, most importantly, have doubts about their abilities or if they are fighting for a worthy cause.  One of my favourite characters (aside from Caesar himself) is Marius because he had always been a larger than life figure in my mind before Iggulden made him more human.

The Death of Kings is definitely more fast-paced than the first book because Caesar is grown up, more involved in politics and plays an active part in many battles that were going on at the time.  There’s also an interesting subplot featuring Cornelia (his first wife) and Sulla that Iggulden uses to kill off the Dictator.  We also see more of Brutus, who is a very strong, but fatally flawed character.  These two subplots do not take away from all of the action and instead are used to bring the plot forward, which is why I love them.

But, as regular readers will know, Conn Iggulden annoys me because he sees fit to mess with history.  He kills off Sulla and Cato, both of whom died many years after the events of The Death of Kings.  In Iggulden’s novel, Sulla is poisoned when in fact he died of old age after retiring from the office of Dictator.  Cato publicly commits suicide to avoid execution just before Pompey and Caesar go to put down Spartacus’s rebellion.  Cato really did commit suicide, but it was not until after the battle of Pharsalus when Caesar finally defeated Pompey after a bitter civil war.  In my opinion, killing off Cato so early denied us a look at the dour senator who was always a thorn in Caesar’s side.

I give this book 4/5 stars.

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