Tagged: trojan war
Troy by Adèle Geras
(Cover picture courtesy of Winter Park Public Library.)
The siege of Troy has lasted almost ten years.
Inside the walled city, food is scarce and death is common. From the heights of Mount Olympus, the Gods keep watch.
But Aphrodite, Goddess of Love, is bored with the endless, dreary war, and so she turns her attention to two sisters: Marpessa, who serves as handmaiden to Helen, the most beautiful woman in the world; and Xanthe, who tends the wounded soldiers in the Blood Room. When Eros fits an arrow to his silver-lit bow and lets it fly, neither sister will escape its power.
After reading The Song of Troy by Colleen McCullough, Troy by Adèle Geras just pales in comparison. That doesn’t mean it’s a bad book. It just means it isn’t the best book about Troy.
Troy follows the story of Marpessa and Xanthe, two sisters trying to live their lives during the last months of the Trojan War. They’re both three dimensional characters with interesting backgrounds and we get to see them through other characters’ perspectives, but they’re not really all that memorable. There’s nothing that really sets them apart from other characters in fiction, so in my mind, they will always be good characters, but not great ones. For those of you hoping to see the traditional legendary heroes of the Trojan War, you’re going to be disappointed. Achilles, Hector and Odysseus receive practically no page time. However, if you want to read about the lives of those who were forgotten, the lives of the background characters, Troy is perfect for you.
The plot isn’t exactly fast-paced because Troy is more of a character-driven novel, but it isn’t boring either. Adèle Geras has certainly done her research about the Trojan War, but I wouldn’t say that there were any exceptional historical details. Just like in The Iliad, the gods come down from Olympus and interfere with the war, but what’s really annoying is the fact that their warnings are pointless since mortals forget meeting them anyway. What’s the point, besides to foreshadow what most people already know? As I said before, it is a good book, not a great one.
I give this book 3/5 stars.
The Song of Troy by Colleen McCullough
(Cover picture courtesy of Goodreads.)
In The Song of Troy, the bestselling author of The Thorn Birds recounts the tale of Helen and Paris, the immortal lovers who doomed two great nations to a terrible war. It is told through the eyes of its main characters: the sensuous and self-indulgent Helen; the subtle and brilliant Odysseus; the sad old man Priam, King of Troy; the tormented warrior prince, Achilles; and Agamemnon, King of Kings, who consents to the unspeakable in order to launch his thousand ships. This is an unputdownable tale of love, ambition, delusion, honour and consuming passion.
The Song of Troy is thus far my favourite book dealing with the Trojan War and I’m lucky I even found it at all because it was in the ‘Almost New’ section of my local bookstore. I almost never found it, except that the picture of Helen on the spine drew me to it. Yes, I judge books by their covers; I’m a horrible person. It’s nearly five hundred pages long but they read fast and before too long, it’s over and you’re left feeling sad. You probably know how the Trojan War ends (hint: the Greeks kick butt), but after falling in love with the characters over 500 pages, it’s hard to let go.
In any other author’s hands, each chapter being told from a different point of view would be annoying head-hopping. Yet in Colleen McCullough’s book, you don’t really get that sense. Each chapter is clearly labelled as being a new point of view and when each new person picks up the tale, they are moving the action forward, not merely recounting what happened to them up until that point. Of course characters like Helen, Odysseus, Achilles and Agamemnon get more page time than minor characters like Diomedes, Automedon and Nestor, but you get the sense that you know each character intimately.
What I like best about The Song of Troy is that we get behind-the-scenes explanations for each character’s motivations. Achilles, instead of being portrayed as a complete [expletive of your choice], we see how it was necessary to have a very public break with Agamemnon over—you guessed it—a woman. Odysseus is my favourite character in the whole book because he’s intelligent, crafty and politically savvy. He’s notorious for his irreverent, but utterly brilliant advice on how to win the war:
“You could, of course, starve them out.”
Nestor gasped in outrage. “Odysseus, Odysseus! There you go again! We’d be cursed to instant madness!”
He wriggled his red brows, unrepentant as ever. “I know, Nestor. But as far as I can see, all the rules of war seem to favour the enemy. Which is a great pity. Starvation makes sense.” (Pg 182)
This was my first Colleen McCullough novel and I’m most definitely looking forward to reading her famous series, The Masters of Rome. If The Song of Troy is any indication as to how much research she does, how well she plots novels and how sympathetically she portrays historical figures…well, let’s just say I will have stumbled onto my new favourite series.
I give this book 5/5 stars.
*Sadly, The Song of Troy is only available as a used book.
Black Ships by Jo Graham
(Cover picture courtesy of Lost in a Good Book.)
In a time of war and doubt, Gull is an oracle. Daughter of a slave taken from fallen Troy, chosen at the age of seven to be the voice of the Lady of the Dead, she is destined to counsel kings.
In the last shadowed days of the Age of Bronze, one woman dreams of the world beginning anew. This is her story.
I have to admit, I was pretty uncertain about Jo Graham’s debut novel for the first few chapters. It was (dare I say?) boring until Gull turned sixteen and became the Pythia. After that, things got interesting and I was finally able to connect the Trojan War to her situation as well as apply what I know about the history of ancient Egypt and realize just how much effort Jo Graham put into Black Ships.
Gull, as I mentioned, becomes the voice of the Lady of the Dead and is known after that as Pythia. The Lady talks to her, gives her visions, advice and premonitions that allow her to counsel the man who would become a legend: Aeneas. Aeneas himself is an interesting character, but not very much like the hero of legend that other authors paint him as. This is not necessarily a bad thing as it shows that Jo Graham is trying to paint him as a man, but as a man he seems to be lacking kingly qualities. The other characters emphasize how much Aeneas doesn’t want to be a king, yet he really does behave like one. He just doesn’t seem like much of a leader to me, but perhaps that’s from my own biased image of him.
The plot isn’t fast-paced in the traditional sense of the word, but the dialogue is witty and Jo Graham doesn’t really get bogged down in navel-gazing introspection, as is so common in historical fiction. She has brought to life a period of chaos and uncertainty that has been neglected so often in literature, so I really do give her credit for that. Black Ships, being her debut novel, isn’t nearly as good as Hand of Isis. But with that said, one must also mention that her debut novel is better than a lot of authors’ fifth or tenth novels.
I give this book 3.5/5 stars.