Category: Historical Fiction
Nefertiti by Michelle Moran
(Cover picture courtesy of Michelle Moran’s website.)
Nefertiti and her younger sister, Mutnodjmet, have been raised in a powerful family that has provided wives to the rulers of Egypt for centuries. Ambitious, charismatic, and beautiful, Nefertiti is destined to marry Amunhotep, an unstable young pharaoh. It is hoped that her strong personality will temper the younger ruler’s heretical desire to forsake Egypt’s ancient gods.
From the moment of her arrival in Thebes, Nefertiti is beloved by the people, but she fails to see that powerful forces are plotting against her husband’s reign. The only person brave enough to warn the queen is her younger sister, yet remaining loyal to Nefertiti will force Mutnodjmet into a dangerous political game—one that could cost her everything she holds dear.
To put it bluntly, Nefertiti was disappointing.
I honestly don’t know what I was expecting, but I was hoping to at least have the story told from Nefertiti’s own point of view, not her half-sister’s. Mutnodjmet to me at least, had no backbone and remained woefully naïve about the political machinations of the court throughout most of the novel. When a conspiracy was uncovered, it was either her servant, mother, father or Queen Tiye who revealed it to her. She was not a very proactive narrator, instead reacting to events as they came her way.
Mutnodjmet was incredibly reluctant to be part of the royal family, which I can understand, but she still allowed herself to be pushed around. It was rather frustrating that she was so innocent that she had never told a lie (since she understood the laws of Ma’at) until she was thirteen. Nefertiti, who was supposed to be the subject of the novel, came off as shallow, petty, vain and…a bitch. There was really not one sympathetic bone in her body and although I loathe swearing, there is really no other word that can describe her. And maybe, you know, Nefertiti was like that in real life and was just as power-hungry as her husband, Akhenaten. However, she must have had at least some redeeming qualities, right?
The plot of Nefertiti is relatively slow-paced, but when you’re a regular reader of historical fiction, that’s usually not an issue. Michelle Moran stuck mostly to the facts, even though not as closely as she did in Cleopatra’s Daughter, and did include a historical note explaining why she changed things where she did. Perhaps it was just me who didn’t like the characters because I do tend to lean toward strong, rather cynical types. Or, perhaps, I will have to do what I’ve been threatening to do for a year now and write a novel from Nefertiti’s point of view.
Now that is most definitely wishful thinking.
I give this book 3/5 stars.
The Mine by John Heldt
(Cover picture courtesy of Goodreads.)
In 2000, Joel Smith is a cocky, adventurous young man who sees the world as his playground. But when the college senior, days from graduation, enters an abandoned Montana mine, he discovers the price of reckless curiosity. He emerges in May 1941 with a cell phone he can’t use, money he can’t spend, and little but his wits to guide his way. Stuck in the age of Whirlaway, swing dancing, and a peacetime draft, Joel begins a new life as the nation drifts toward war. With the help of his 21-year-old trailblazing grandmother and her friends, he finds his place in a world he knew only from movies and books. But when an opportunity comes to return to the present, Joel must decide whether to leave his new love in the past or choose a course that will alter their lives forever. THE MINE follows a humbled man through a critical time in history as he adjusts to new surroundings and wrestles with the knowledge of things to come.
I know what you’re thinking: “Another time travel romance. Are you kidding me?”
How do I know that? Well, I was thinking the exact same thing when I read the blurb John Heldt gave me when he asked me to review his novel. I was really skeptical when I started reading because the reason Joel time travelled was a planetary alignment. A planetary alignment for crying out loud! With a premise like that, could The Mine possibly be salvaged?
Actually, yes.
Pretty much all of the clichés you’ll find are in the beginning of the novel. What sets The Mine apart from a lot of time travel is that Joel, the protagonist, actually knows something about 1940s America and works hard to hide the fact he’s from the future. This is a huge contrast to the bumbling, secret-spilling protagonists who know nothing about the era that seem to populate every time travel novel.
Joel is a great main character: resourceful and intelligent but wracked by guilt when he has to hide his knowledge of upcoming tragedies. Despite his best efforts, he grows attached to his adopted family and even falls in love. Not Insta-Love, mind you, but real love that takes time to develop.
Despite the admittedly shaky start, John Heldt pulled things together in fine fashion. And the ending plot twist was actually unexpected because of the tone of the writing, but was highly satisfying. The climax was so heartbreaking that I was tearing up, but managed not to dissolve into hysterics like I did at the end of Flowers for Algernon.
So if you like romance, historical fiction and/or amazing characters, I would highly recommend this self-published novel.
I give this book 4/5 stars.
Clockwork Prince by Cassandra Clare
(Cover picture courtesy of Mundie Source.)
In the magical underworld of Victorian London, Tessa Gray has at last found safety with the Shadowhunters. But that safety proves fleeting when rogue forces in the Clave plot to see her protector, Charlotte, replaced as head of the Institute. If Charlotte loses her position, Tessa will be out on the street—and easy prey for the mysterious Magister, who wants to use Tessa’s powers for his own dark ends.
With the help of the handsome, self-destructive Will and the friendly devoted Jem, Tessa discovers that the Magister’s war on the Shadowhunters is deeply personal. He blames them for a long-ago tragedy that shattered his life. To unravel the secrets of the past, the trio journeys from mist-shrouded Yorkshire to a manor house that holds untold horrors, from the slums of London to an enchanted ballroom where Tessa discovers the truth of her parentage is more sinister than she had imagined. When they encounter a clockwork demon bearing a warning for Will, they realize that the Magister knows their every move—and that one of their own has betrayed them.
Tessa finds her heart drawn more and more to Jem, though her longing for Will, despite his dark moods, continues to unsettle her. But something is changing in Will—the wall he has built around himself is crumbling. Could finding the Magister free Will from his secrets and give Tessa the answers about who she is and what she was born to do?
As their dangerous search for the Magister and the truth leads the friends into peril, Tessa learns that when love and lies are mixed, they can corrupt even the purest heart.
After reading Clockwork Prince, I’m starting to like The Infernal Devices even more. Finally characters like Will and Jessamine acquire depth and I can actually sympathize with them. Whereas Clockwork Angel focused mainly on Tessa’s entrance into the world of the supernatural, Clockwork Prince focuses more on the characters and setting up the final book, Clockwork Princess. We also get a lot more information about the world of the Shadowhunters, which builds on both the first book and the parallel series, The Mortal Instruments.
Tessa is still a strong character in this book and readers will feel her love for Jem, but also her growing attraction to will, despite his horrible behavior toward her at the end of the first book. She hates her brother Nathan for betraying her and the Shadowhunters, yet she still has a bit of sisterly affection for him, even if she doesn’t want to admit it. Her choices in this novel have direct consequences for the people she loves, so Tessa is even more conflicted about her decisions than before. Will also acquires a lot more depth and I actually feel sorry for him as he uncovers an ironic tragedy worthy of Sophocles himself.
The plot of Clockwork Prince is moderately fast and almost every scene advances the action. What I admire most about Cassandra Clare is that she perfectly intertwines her two series together so that if you read them in order of release, you will have a much richer experience. From a marketing perspective, the way she releases these books is brilliant because fans of the first three books will want to keep reading The Mortal Instruments to see what happens to Clary and the others. They’re also more likely to read The Infernal Devices because it gives them some backstory on some of their favourite characters. It’s hard to read one series without reading the other. Brilliant.
I give this book 4/5 stars.
Isabel: Jewel of Castilla by Carolyn Meyer
(Cover picture courtesy of The Flying Librarian’s Hideout.)
Segovia—12th of April 1466
After Mass this morning, I climbed the narrow, winding stone steps to a window high in one of the castle turrets. I often come up here to see what lies beyond my prison. Segovia is surrounded by four thick walls, each with a heavy wooden gate. The aqueduct built by the Romans more than a thousand years ago stretches to the horizon.
Far below the castle, the Eresma River rushes through a narrow gorge. Across the river, flocks of sheep seem to flow like a river themselves. The sheep bleat, their bells tinkle—I know this, even if I cannot hear them. In the fields beyond the walls, little green shoots of wheat are pushing up. How I yearn to be there instead of here.
Queen Isabel of Spain was both a woman to be admired and a woman to be hated. On one hand, she was an incredibly strong female leader for her time who actually chose who she got to marry. On the other hand, she was the very woman that started the horrible, bloody Inquisition that killed thousands of innocents and forced thousands more to flee their homes. Here in Isabel: Jewel of Castilla, Carolyn Meyer has attempted to explain both her strong side as well as her ruthless side that came from a combination of her deep faith and her hellfire-and-brimstone-preaching confessor, who later runs the Inquisition. She certainly succeeds in creating an interesting explanation for Isabel’s brutality in her later life.
Since the story is told from Isabel when she is young, readers aged 10-12 will be able to enjoy this book. It talks of her impending marriage and the civil war currently going on, but never actually touches on much sexuality or violence. I wouldn’t call this a fast-paced novel, but at least it is an interesting one. The dynamics between the characters (Isabel and her brother or Isabel and Queen Juana) are definitely realistic and very believable since the book is supposed to be Isabel writing her innermost thoughts about the people in her lonely life.
I never really knew much about Medieval Spain until I read this novel and I can assure you, I learned quite a lot. Isabel certainly was a complicated woman, but Carolyn Meyer has made her much more accessible to modern readers. Anyone who reads this will be entertained and learn a lot of history at the same time.
I give this book 4/5 stars.
Reincarnation by Suzanne Weyn
(Cover picture courtesy of Goodreads.)
It starts in prehistory. A young man and a young woman fight over a precious jewel. Their time together is short, but the reverberations are lasting.
Years pass. Generations pass. Centuries pass. But fate keeps drawing them together. Whenever their paths cross, there is that strong attraction. That unexplainable affinity. That feeling that they’ve been together before.
Theirs is a love haunted by history. From Egyptian slavery to Greek society. From Massachusetts witch trials to Civil War battlefields. From Paris in the 1930s to the present day. Circumstances will fight them…but a greater force will reunite them. Because some people are meant for each other—no matter how long it takes.
This is not a book you read for historical accuracy, fast pacing or an unpredictable plot. This is a book you read for guilty pleasure. And as long as you keep that in mind, you’ll enjoy Reincarnation.
Suzanne Weyn’s novel is by no means historically accurate. For example, when they are in ancient Egypt—she a singer named Tetisherti and he a Nubian slave called Taharaq—it made me snort aloud when he called Thebes ‘Luxor’, claiming that was its ancient Egyptian name. Bull crap. Thebes was called Weset. And the idea that Taharaq saw the pyramids when he was coming up from Nubia to Weset is enough to make an Egyptologist cry. And for reasons unknown, Suzanne Weyn calls Abu Simbel ‘Abu Simpel’ and Sekhmet ‘Sempkhet’. I have never, ever seen those names translated in such a way (even in the Wikipedia articles I’ve linked to). Utter nonsense. But again, this is not meant to be historically accurate.
One thing that actually made me enjoy Reincarnation was the characterization. All of the different reincarnations are three dimensional and sympathetic. The attraction between them was very real and the romance actually didn’t feel forced. There were certain traits that stayed with the characters in all of their lifetimes, but their circumstances in those different lifetimes were very different.
The plot is predictable, no doubt. Come on, you know how stories like this are going to end. However, because of the nice writing style and interesting characters, I actually enjoyed Reincarnation as a sort of guilty pleasure. It’s never going to win any literary awards (nor should it) but as long as you take it as what it is—light reading—you’ll enjoy it.
I give this book 4/5 stars.