Category: Historical Fiction
The Borgia Bride by Jeanne Kalogridis
(Cover picture courtesy of Goodreads.)
Vivacious Sancha of Aragon arrives in Rome newly wed to a member of the notorious Borgia dynasty. Surrounded by the city’s opulence and political corruption, she befriends her glamorous and deceitful sister-in-law, Lucrezia, whose jealousy is as legendary as her beauty. Some say Lucrezia has poisoned her rivals, particularly those to whom her handsome brother, Cesare, has given his heart. So when Sancha falls under Cesare’s irresistible spell, she must hide her secret or lose her life. Caught in the Borgias’ sinister web, she summons her courage and uses her cunning to outwit them at their own game. Vividly interweaving historical detail with fiction, The Borgia Bride is a richly compelling tale of conspiracy, sexual intrigue, loyalty, and drama.
There’s this image of ancient Rome as a debauched city throughout its whole thousand year history. This perception of debauchery is somewhat true under emperors like Tiberius, Nero, Commodus and Caligula, but it is mostly an undeserved reputation. In reading this book, I learned that the Papacy under the powerful Borgia family had more backstabbing than the Medici court, more sexual debauchery than Caligula’s court and almost as much incest as the Egyptian royal family of Ahmose. The tagline “Incest, poison, betrayal. Three wedding presents for…The Borgia Bride” is certainly justified. Before I get into the details of why this tagline is deserved, let me first warn you that this is a book for people at least fifteen years old—and that would have to be a very mature fifteen.
Sancha of Aragon, the novel’s protagonist, is a wonderful narrator. She’s beautiful, intelligent and ambitious, three of the most dangerous things a woman in her time could be. Even though she was only eleven years old at the time, she had the daring to sneak into her grandfather King Ferrante’s rooms in an attempt to catch a glimpse of the infamous chamber of his enemies’ bodies. This little story may seem like a product of Jeanne Kalogridis’ imagination, but I can assure you that it is true. Like most women of her time, Sancha is incredibly mature for her age, which makes The Borgia Bride an enjoyable read, even though she is young when it starts out. Readers will fall in love with her and cheer for her throughout the novel as she is put up against tremendous odds.
Forcibly married to a boy three years her junior, Sancha still perseveres, even when she knows that she has caught the eye of the debauched Pope. Despite having virtually no friends—even Lucrezia is not a true friend—she manages to find pleasure in small doses, particularly in the arms of the handsome Cesare Borgia. But all is not as it seems and everyone holds their secrets close to their hearts, for any weaknesses were fully taken advantage of in the time of the Borgias. I won’t give away the ending, but I want to say that it is not the stereotypical one where the main character’s husband dies and she gets to marry whomever she wishes. Still, The Borgia Bride is a thoroughly enjoyable book.
I give this book 5/5 stars.
The King’s Man by Pauline Gedge
(Cover picture courtesy of The Globe and Mail.)
Twelve-year-old Amunhotep III has ascended the throne to become king of the richest empire on earth. The boy’s mother is regent, and she has brought to court the renowned seer Huy, son of a humble farmer, to act as scribe and counsel to her royal son. It’s a position of power and responsibility, one that is fraught with intrigue and the lure of corruption. For it is Huy who controls the treasury, the military, and all construction and taxation—and perhaps most important, it is Huy who chooses the young Pharaoh’s queen. His actions and premonitions, as well as his legendary past, make him very few friends and a great many enemies…
In The King’s Man, Huy’s rise to power and fame—as chronicled first in The Twice Born and then in Seer of Egypt—reaches its resounding climax.
With her meticulous research and compelling prose, Pauline Gedge transports readers into the ancient and fascinating culture that was Egypt.
I will still like the first book of the King’s Man trilogy the best, but the concluding volume, the aptly named The King’s Man, is still a decent book. The ending lets readers use their imaginations, but it also gave me a sense of satisfaction because it took the trilogy full circle. Huy is a confident, powerful old man in this book and that in itself is satisfying because of the drastic change from when he was younger.
The King’s Man is slightly faster paced than the two previous novels, but it is by no means a thriller novel. If you love long, winding narratives filled with tiny details and political intrigue, you will love this book. If you will read a book because it has three dimensional characters like I do, you will absolutely love Pauline Gedge’s latest novel. The characters of Huy, Mutemwia and Amunhotep develop at natural paces that also make sense when you look at what they actually did as historical figures. The best historical fiction authors are able to assign realistic motivations to historical figures and Pauline Gedge is indeed one of the best.
I give this book 4/5 stars.
Emperor: The Gods of War by Conn Iggulden
(Cover picture courtesy of Whitcoulls Ebooks.)
The year is 53 B.C. Julius Ceasar approaches his final destiny—a destiny that will be decided not by legions but by his friend Brutus and a bewitching Egyptian queen named Cleopatra.
Fresh from victory in Gaul, Julius Caesar leads his battle-hardened legions across the Rubicon. The armies of Rome will face each other at last in civil war, led by the two greatest generals ever to walk the seven hills.
From the spectacles of the arena to the whispered lies of conspirators, Conn Iggulden brings to life a world marked by fierce loyalty and bitter betrayal, with dark events shrouded in noble ideas.
Emperor: The Gods of War was my introduction to both Conn Iggulden and the world of Gaius Julius Caesar, despite the fact that this book is the fourth (and last) book in the Emperor series. My mother had bought it for me for my birthday one year and she is notoriously bad at finding the first book in a series. Nevertheless, I read it and it left quite the impression on me.
The Gods of War is the most exciting book in the series and is an example of Conn Iggulden at his finest. Love, lust, friendship, loyalty and betrayal are all prominent themes and they are what make reading this book a cinematic experience. I vote for the Emperor series to be the next series adapted into movies because the screenwriters would not even have to alter the story very much. The characters are larger than life and there’s hardly ever a dull scene.
Conn Iggulden really brings his characters to life, thus making history a bit more accessible to the average modern reader. He generally sticks to the facts of historical events, but what sets his books apart is the fact that he assigns realistic motivations to the people behind these events, particularly Caesar. When he writes, it feels like he was really at these events and knew the people that caused them. One scene in particular stands out in my mind, when Brutus complains to his mother, Servilia, that Julius overshadows him:
“I am the best of my generation, Mother. I could have ruled. But I had the misfortune to be born to a Rome with Julius in it. I have suffered it for years. I have pledged my life to him and he cannot see it.”
She pulled back from him at last and shook her head. “You’re too proud, Brutus. Even for a son of mine you are too proud.”
I think Iggulden hit the nail on the head with that scene, which of course leads up to the infamous Ides of March.
I give this book 4.5/5 stars.
The Hippopotamus Marsh by Pauline Gedge
(Cover picture courtesy of Tower.)
Hundreds of years under the oppressive foreign rule of the Setiu have stripped Egypt of its majesty. Seqenenra Tao, Prince of Weset, the true heir of the double crown, is pained to see his estate deteriorate and longs to restore the royal bloodline to its former glory. King Apepa’s merciless taunting and humiliating requests are a poor disguise for his contempt of the prideful Tao family and their independence. Cornered, the Prince of Weset must choose between complete submission to a foreign king or a daring uprising that is doomed to fail. Seqenenra Tao’s shocking decision puts in motion a series of events that will either destroy his cherished home or resurrect a dynasty and an entire way of life for all of Egypt.
Thus begins the riveting first volume of Pauline Gedge’s Lords of the Two Lands trilogy, in which the history of one of Ancient Egypt’s greatest families comes alive in a remarkably vivid and wonderfully crafted epic.
I discovered Pauline Gedge’s writing on a bitterly cold Christmas Day a few years ago, but the first book I read was her latest work at the time, The Twice Born. Now that I’ve read almost all of her work, I definitely prefer her earlier works. They’re much faster paced and the characters are far more interesting. Her earlier works definitely have less of a literary novel feel and more of an epic historical fiction feel.
The Hippopotamus Marsh is the first book in the Lords of the Two Lands trilogy and it follows the patriarch of the Tao family, Seqenenra. Seqenenra is a very proud character, yet there is despair lurking beneath the surface because half of his beloved Egypt is under the yoke of the Setiu king Apepa. But when Apepa takes his ridiculous demands too far, he finally snaps and the rebellion that gave him the epithet ‘the Brave’ began. If any of you history buffs want to look up Seqenenra (he was, of course, a real historical figure), I recommend that you search with caution—his mummy is not one of the prettier ones.
In addition to fascinating characters like the regal Tetisherti, the brave Seqenenra and the tragically flawed Si-Amun, the plot moves along at a nice pace. It’s not nearly as fast as that of most mainstream fiction, but it is much faster than Pauline Gedge’s later books. The Hippopotamus Marsh is a must-read for anyone who loves the mysterious civilization that was ancient Egypt.
I give this book 5/5 stars.
The Vampire Lestat by Anne Rice
(Cover picture courtesy of this site I cannot translate.)
Lestat. The vampire hero of Anne Rice’s enthralling novel is a creature of the darkest and richest imagination. Once an aristocrat in the heady days of pre-revolutionary France, now a rock star in the demonic, shimmering 1980s, he rushes through the centuries in search of others like him, seeking answers to the mystery of his eternal, terrifying existence. His is a mesmerizing story—passionate, complex, and thrilling.
If you don’t like slow plots or are in any way sensitive to gore or explicit sex scenes, this book is not for you. But if you can appreciate a slow but compelling narrative filled with fascinating characters, you will appreciate The Vampire Lestat.
The Vampire Lestat is the second book in the Vampire Chronicles, but you don’t have to read Interview with the Vampire to understand it. Anne Rice lets her book stand on its own, but it is interesting to see first Louis’, then Lestat’s different perspectives. Whereas Louis found his vampirism to be a curse, Lestat chose to embrace it, delighting in his newfound power.
I think a big part of why the Vampire Chronicles are so popular is the fact that Anne Rice has created truly memorable characters. If I’m honest with myself, Lestat remains in my mind along with other great characters like Thu, Harry Potter, Katsa and Hamnet. What keeps people coming back for more is her characters, not her slow moving plot or her sensual descriptions, as some reviewers claim. Lestat is not always sympathetic, but he is appealing enough to command your attention.
I can honestly say that once you start reading The Vampire Lestat, you won’t be able to put it down. When I first read it, I stayed up until four in the morning to finish it—although that was partly because the alternative was going to sleep on a concrete floor with nothing but a thin sleeping bag. Still, it is a great book and you’ll have to forgive me for being cliché and describing it as “hypnotic”, because there is no other word for it.
I give this book 4/5 stars.