Gormenghast by Mervyn Peake

[This guest post was done by Margaret, over at Steam Trains and Ghosts.  –CS.]

I remember when I discovered Mervyn Peake’s Gormenghast trilogy.  A friend of my cousin was cleaning out his basement and brought over to our house a big cardboard box of old books.  I mean, old books, who could resist?  I dug through them and found this set of mass-market paperbacks with these weird limited-color-palette paintings on the front.  Titus Groan, Gormenghast, Titus Alone.  I set them on my shelf and forgot about them for a couple of years, until I started reading them during my high school track meets…

The books are … weird.  First of all, anybody getting into these books needs to know that it’s not really a trilogy.  Titus Groan and Gormenghast form something more like a duology, and then Titus Alone is about Titus going off and having a solo adventure.

The first two books tell the story of a crumbling old castle ruled over by the seventy-sixth Earl of Gormenghast.  Titus Groan is heir to become the seventy-seventh Earl.  And he hates it.  Hates it.  Castle life is so steeped in tradition that it’s drowning in it; people perform rituals without even knowing why they do it anymore.  Titus is very nearly the only sane person in the book.  His mother, the Duchess, spends all her time in seclusion with an army of Persian cats.  His big sister, Lady Fuschia, lives like she’s the heroine of a Brontë novel.  His father thinks he’s an owl.  His aunts, Cora and Clarice, are each paralyzed down an opposite side of their body so they act like two halves of a single individual.  And did I mention that they’re plotting murder?

Into Titus’s messed-up family enters Steerpike, kitchen boy, and the one other sane person in this castle.  He wants power and he knows how to manipulate people to get it.  Soon Titus must decide how far he’s willing to go to defend the home he’s so desperate to escape.

Finally, I must give special note to Peake’s use of language in these books.  It’s not quite like any other book you’re likely to encounter.  Here’s a sample:

“From its heaving expanses arose, as through the chimera of a daydream, a phantasmic gathering of ancient oaks.  Like dappled gods they stood, each in his own preserve, the wide glades of moss flowing between them in swathes of gold and green and away into the clear, dwindling distances.

When his breath came more easily, Titus realized the silence of the picture that hung there before him.  Like a canvas of gold with its hundreds of majestic oaks, their winding branches dividing and subdividing into gilded fingertips – the solid acorns and the deep clusters of the legendary leaves.”

I give it 4/5 stars.

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Leviathan by Scott Westerfeld

(Cover picture courtesy of And the plot thickens…)

Alek is a prince without a throne.  On the run from his own people he has only a fighting machine and a small band of men.

Deryn is a girl disguised as a guy in the British Air Service.  She must fight for her cause—and protect her secret—at all costs.

Alek and Deryn are thrown together aboard the mighty airship Leviathan.  Though fighting side by side, their worlds are far apart.  British fabricated beasts versus German steam-powered war machines.  They are enemies with everything to lose, yet somehow destined to be together.

Although it’s surprising considering how much I read, this was my first-ever encounter with steampunk.  I like alternate history and I like speculative fiction (which is what steampunk is generally a combination of), but I’m not really sure I like steampunk.  Perhaps it’s simply because I didn’t pick up the right book, but at the time I’m writing this, my feelings about the sub-genre are mixed.

As with all of his novels, Scott Westerfeld has wonderful world-building.  The strange animal-machines of the Darwinists offer a very stark contrast to the iron and steel of the Clankers.  He also took time to develop slang for the world, which is confusing at first but adds a lot more realism to this alternate 1914 Europe once you get used to it.  Of course the wonderful illustrations by Keith Thompson deserve a lot of credit for bringing Scott Westerfeld’s bizarre world to life.

The plot speeds along, taking readers on a whirlwind journey.  It’s rather disorienting at first, but readers are able to quickly get up to speed.  This is the kind of book you can’t stop once you start, no matter how hard you try.

The only thing that fell flat for me was the characters.  Some like Deryn, a natural tomboy pretending to be an actual boy, should have caught my attention, but she didn’t.  Much like Alek, she is a decent enough character, but is not particularly memorable for me.  This should not be possible because both main characters are three dimensional and have fascinating backstories, but for whatever reason, they just didn’t click for me.  I would still recommend Leviathan, however, because this lack of connection is probably just me.

I give this book 3.5/5 stars.

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Guest Posting for The Streetlight Reader

Today I’m guest posting.  I know, again.  That’s why I announced Round Two of my giveaway today.  Anyway, I’m posting over at The Streetlight Reader.  It’s a book review on The House of the Scorpion by Nancy Farmer.  Clones, opium, friendship, love and drug lords…what more can you ask for in speculative fiction?

The Mad Reviewer’s First Giveaway: Round Two

Since there was no winner for round one (no one guessed what my favourite aria was), I’m going to ask two different questions for round two.  Michelle Hansen and I will pick one winner in each of the two question categories.  So here are the questions:

1.  What is your favourite historical figure and why?

2.  What is your favourite book and why?

You may only enter once and you can answer both questions.  Since I love history, I will be picking the winner in Category #1 and since Michelle Hansen is an author, she will be picking the winner in Category #2.  Please, pick whatever historical figure or book is your favourite, rather than what makes you look good.  I do appreciate honesty and I’m probably one of the last people who’s going to judge you because, hey, I’m a dork.

This round will last a week and I will announce the winners on Friday, July 27th at 12:01am Central Time.

Round One: No Winner

No one guessed the answer to ‘What is my favourite operatic aria?’  I honestly don’t blame anyone for the less than enthusiastic response because opera is pretty obscure and my clues weren’t exactly great.  So for Round Two of my giveaway, I’ll be asking two questions and there will be two winners!

For those of you that are curious, my favourite aria is ‘Una Furtiva Lagrima’ from L’elisir D’amore by Donizetti.  It’s both heartbreaking and hopeful and is probably the saddest part of the entire opera.  Especially when it’s sung by The King himself, Luciano Pavarotti.

This isn’t a great recording, but the sheer power and raw emotion of Pavarotti’s voice shines through.  For those of you that don’t speak Italian, here’s a link to the English translation.  It’s a rough translation and the lyrics are much more beautiful in the original Italian, but you get the basic idea.  Even if you aren’t a huge opera fan, this is one heck of a beautiful song sung by the greatest tenor of the modern era.