My favourite genre is a definite toss up between historical fiction and fantasy fiction. Yes, I know I complain about fantasy a lot, but there is a lot of unique stuff out there when you look. But what I want to know is, what’s your favourite genre? And if you have time, why is it your favourite genre? Please vote and tell me in the comments below!
(Cover picture courtesy of Tower Books.)
From the fierce cold plains of Mongolia to the Korean peninsula, Genghis Khan’s brothers, sons, and commanders have made emperors kneel in the ruins of their broken cities. But as Genghis enters a strange new land of towering mountains and arid desert, he stirs an enemy greater than any he has met before. Shah Ala-ud-Din Mohammed has under his command thousands of fierce Arab warriors, teeming calvary, and terrifying armored elephants. When Genghis strikes, the Arabs prove their mettle.
While the Mongols struggle to defeat their savage enemy, another battle is taking shape—between two of Genghis’s feuding sons. Soon the most powerful man in the world must choose a successor. And when he does, it will touch off the most bitter conflict of all.
Let me just say that I wouldn’t want Genghis Khan to be my father, especially after reading this book. If you don’t look much like him, as in the case of his oldest son, Jochi, he will think you aren’t his son. To toughen you up, he will make you do things that would be considered child abuse today, like making you stand in a freezing lake high up in the mountains. And if you turn against him or disobey him, watch out! It makes no difference whether you’re related to him or not; the punishment is the same.
Even knowing this, I still laughed at his choice of heir because it made perfect sense, yet it was highly unlikely for the time period. Classic Genghis.
If this really didn’t happen, I would call the Mongol conquest of a large part of the Arab world cliché. It’s so unlikely that it proves truth is stranger than fiction. Filled with amazing battle scenes and vivid descriptions of exotic lands, Conn Iggulden tells an amazing story while educating readers. Genghis: Bones of the Hills is mostly historically accurate and where it isn’t, the changes are actually justified.
The character of Genghis is three dimensional and interesting, if not entirely sympathetic. Readers probably will not like him by this book, considering all of the atrocities he commits (although on the other hand, Constantine killed his eldest son and second wife and they still made him a saint), but they will be able to understand his motivations. The same goes for poor Tsubodai, one of his generals, who commits a horrible crime against an old friend of his because of where his loyalties ultimately lie. Conn Iggulden is able to breathe life into these distant historical figures, which is what historical fiction is all about.
I give this book 4.5/5 stars.
(Cover picture courtesy of Fantastic Fiction.)
When Tessa Gray crosses the ocean to find her brother in Victorian England, something terrifying is waiting for her in London’s Downworld. Kidnapped by the mysterious Dark Sisters, who are members of a secret organization called the Pandemonium Club, Tessa soon learns that she has the power to transform into another person. The Magister, the shadowy figure who runs the club, will stop at nothing to claim Tessa’s power for his own. Friendless and hunted, Tessa takes refuge with the Shadowhunters, warriors dedicated to ridding the world of demons. She soon finds herself fascinated by—and torn between—two best friends: James and Will. As Tessa is drawn deep into a plot that threatens to destroy the Shadowhunters, she realizes that she may need to choose between saving her brother and helping her new friends save the world…and that love may be the most dangerous magic of all.
Even after more than a week has passed since I finished reading Clockwork Angel, I’m still not sure how I feel about it.
On one hand, Tessa Gray is a great character. She’s not nearly as helpless as Clary is at first in City of Bones. She does anything to save her brother Nathan, even if it means submitting to the torture the Dark Sisters put her through to train her to use her shape-shifting power. But while Tessa is three dimensional, some other characters like Will and Jessamine are not. Will is cold, distant and appears to be a womanizer, just like Jace was at first. He’s the stereotypical bad boy with a tragic backstory that made him that way, which makes Clockwork Angel feel like City of Bones rehashed.
What saves this novel is that it is set in a different time period with a different enemy: the mysterious Magister and his freaky robots. The plot is fast-paced and readers of The Mortal Instruments will recognize Magnus Bane and a few family names, like Lightwood and Herondale. We also find out why the club where Clary first saw Jace is called Pandemonium; it really does have an interesting backstory. If you’re completely new to Cassandra Clare’s writing I would recommend reading the first three Mortal Instruments books before reading Clockwork Angel because you’ll get a lot more out of it. It’s not necessarily a requirement, but things will make a lot more sense.
I give this book 3.5/5 stars.
(Cover picture courtesy of Tower Books.)
Jack was eleven when the berserkers loomed out of the fog and nabbed him. “It seems that things are stirring across the water,” the Bard had warned. “Ships are being built, swords are being forged.”
“Is that bad?” Jack had asked, for his Saxon village had never before seen berserkers.
“Of course. People don’t make ships and swords unless they intend to use them.”
The year is A. D. 793. In the next months, Jack and his little sister, Lucy, are enslaved by Olaf One-Brow and his fierce young shipmate, Thorgil. With a crow named Bold Heart for mysterious company, they are swept up into an adventure-quest in the spirit of The Lord of the Rings.
Award-winner Nancy Farmer has never told a richer, funnier tale, nor offered more timeless encouragement to young seekers than “Just say no to pillaging.”
I read The Sea of Trolls about three years ago, shortly after my library acquired it. Even though I didn’t quite get all of it, I remember enjoying it and picked it up again this week. Now that I actually know the basics of Norse mythology and culture, I managed to get a lot more out of it this time around.
Set in 793 AD and told by Jack, a Saxon boy who is an apprentice bard, it certainly offers a new look at the Vikings from an outsider’s perspective. It’s filled with historically accurate details, magic and Jotuns (trolls in Norse mythology). And of course it has an incredibly important message for all readers: Just say no to pillaging. Timeless. It helps if you know a bit of Norse mythology before picking up The Sea of Trolls, but it’s certainly not a requirement as Nancy Farmer is good at subtly conveying all of the necessary information.
Jack is an amazing character that has a nice amount of character development throughout the novel. Thorgil, the shieldmaiden, does as well. In fact, she pretty much does a complete about-face, but after all she goes through, it feels natural. Even Jack’s bratty little sister, Lucy, changes for the better, which was a huge relief for me as I can’t stand poorly behaved children, even in fiction. The Jotuns are also not what I expected, which keeps The Sea of Trolls from becoming too cliché.
Overall, a very enjoyable read.
I give this book 4/5 stars.
Today is Wednesday, so that means I’m posting over at We Heart Reading once again. This time, it’s about a truly wretched book by one of my favourite historical fiction authors. In truth, I wish I had never picked it up because it has tainted my view of Philippa Gregory’s other works. Anyway, if you’re going to read anything by Philippa Gregory, do not read Wideacre. Pick up The White Queen or even The Constant Princess first or you’ll be sorry. For my full rant, click here.