Tagged: marius
The First Man in Rome by Colleen McCullough
(Cover picture courtesy of Avon Romance.)
When the world cowered before the legions of Rome, two extraordinary men dreamed of personal glory: the military genius and wealthy rural “upstart” Marius, and Sulla, penniless and debauched but of aristocratic birth. Men of exceptional vision, courage, cunning, and ruthless ambition, separately they faced the insurmountable opposition of powerful, vindictive foes. Yet allied they could answer the treachery of rivals, lovers, enemy generals, and senatorial vipers with intricate and merciless machinations of their own—to achieve in the end a bloody and splendid foretold destiny…and win the most coveted honor the Republic could bestow.
After reading so many Young Adult books of late, reading something as heavy as The First Man in Rome was a refreshing challenge. Trust me, even if you know your Roman history well, this is a book that you should not read when you’re tired. You will forget all of the plot points.
I first fell in love with Colleen McCullough’s writing after reading The Song of Troy because her portrayals of historical characters were amazing. She made it feel that not only was I alongside these famous people, but that I truly understood them. Well, she does the exact same thing in The First Man in Rome. From Marius’ brilliant leadership in the battlefield to his dismal political career, I really feel like I know the legend as a man. We see the soft side of him when it comes to Julia, his more ruthless streak at the end of the novel and his never-ending ambition to become the First Man in Republican Rome. He’s a larger-than-life character and yet he seems extremely accessible. Contrast that to the brilliant, but debauched young patrician Sulla who develops the ruthless streak he was known for later in life. These two have an unlikely friendship, but it’s one that I absolutely love because it shows that not everything is in black and white.
If you don’t know much about Roman history, I can see where you would get confused by The First Man in Rome. Thankfully, Colleen McCullough includes a well over 200 page index that tells you everything from the English translations of Latin curses (very creative!) to the history behind many of the events characters refer to. But if you’re like me and have someone like Mike Duncan to thank for your knowledge of ancient Rome, you’ll just breeze through The First Man in Rome. In terms of historical accuracy, I can’t pick away at it. Everything is well researched and McCullough does an excellent job of defending her hypotheses in places where there are gaps in the historical record.
I wouldn’t call this a fast-paced book, but it’s not meant to be either. It’s meant to be a sprawling novel in order to draw you in to the cutthroat world of Roman politics and to explore the lives of the main players. The strange thing about Colleen McCullough’s books is that they have this sort of grand, epic feel to them that I can’t quite explain. It’s like you know they’re on par with classic novels, but there’s no sense that McCullough was trying really hard for that ‘classic novel’ status. Her books feel like epic novels in an effortless sort of way and that’s really part of the attraction of her writing: it’s larger-than-life, yet accessible to most readers. That’s why, despite the intimidating length and amount of time I need to spend on them, I’ll certainly be continuing her Masters of Rome series.
I give this book 5/5 stars.
Blood and Gold by Anne Rice
(Cover picture courtesy of Rankopedia.)
Once a proud Senator in Imperial Rome, Marius is kidnapped and forced into the dark realm of blood, where he is made a protector for the Queen and King of the vampires—in whom the core of the supernatural race resides. Through his eyes we see the fall of pagan Rome to the Emperor Constantine, the horrific sack of the Eternal City at the hands of the Visigoths, and the vile aftermath of the Black Death. Ultimately restored by the beauty of the Renaissance, Marius becomes a painter, living dangerously yet happily among mortals, and giving his heart to the great master Botticelli, to the bewitching courtesan Bianca, and to the mysterious young apprentice Armand. But it is in the present day, deep in the jungle, when Marius will meet his fate seeking justice from the oldest vampires in the world.
If not for Pandora, Blood and Gold would be my favourite novel by Anne Rice. The story of Marius, a logical Roman man, kidnapped and turned into a vampire against his will. But what stands out for me is the amazing amount of detail Anne Rice puts into her historical fiction. The splendor of ancient Rome, the horror of the Black Death, the energy and creativity surrounding the Italian Renaissance…all of the settings come alive and you feel like you’re really there along with Marius.
Marius himself is a very complex character. His traditional Roman upbringing and his naturally logical personality clash very well with Pandora’s free spirit and dreamy personality and it makes for a very interesting relationship. However, since Pandora mostly focused on their relationship, Anne Rice doesn’t spend nearly as much time on it. Instead, she focuses on the relationship between Marius and Armand, his student and the courtesan Bianca in Renaissance Italy. Blood and Gold certainly fills in a lot of the questions I had from reading The Vampire Armand. If nothing else, it paints Marius in a more sympathetic light!
Blood and Gold isn’t for everyone. If you get annoyed by long, detailed descriptions of historical events and daily life, you won’t enjoy Blood and Gold. But for someone like me, who loves it when a writer showcases their knowledge of the era, Blood and Gold is perfect.
I give this book 5/5 stars.
Pandora by Anne Rice
(Cover picture courtesy of Books are a Garden.)
Anne Rice, creator of the Vampire Lestat, the Mayfair witches and the amazing worlds they inhabit, now gives us the first in a new series of novels linked together by the fledgling vampire David Talbot, who has set out to become a chronicler of his fellow Undead.
The novel opens in present-day Paris in a crowded café, where David meets Pandora. She is two thousand years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to tell the story of her life.
Pandora begins, reluctantly at first and then with increasing passion, to recount her mesmerizing tale, which takes us through the ages, from Imperial Rome to eighteenth-century France to twentieth-century Paris and New Orleans. She carries us back to her mortal girlhood in the world of Caesar Augustus, a world chronicled by Ovid and Petronius. This is where Pandora meets and falls in love with the handsome, charismatic, lighthearted, still-mortal Marius. This is the Rome she is forced to flee in fear of assassination by conspirators plotting to take over the city. And we follow her to the exotic port of Antioch, where she is destined to be reunited with Marius, now immortal and haunted by his vampire nature, who will bestow on her the Dark Gift as they set out on the fraught and fantastic adventure of their two turbulent centuries together.
[Summary courtesy of Goodreads.]
Pandora is part of Anne Rice’s New Tales of the Vampires (although they’re not that new anymore) and there is virtually no difference in writing quality or style from her more popular The Vampire Chronicles. What is different, though, is that we finally see the stories of formerly minor characters who aren’t really connected to Lestat. Lestat, although he is a very interesting character, does get annoying after a couple of books, so a book from the point of view of Pandora was perfect for me.
Pandora is a woman during Pax Romana, or the golden age of Rome during the later years of Augustus. Anne Rice paints a picture of a strong-willed woman very much in control of her own life and doted on by a loving father who is far from the average pater familias. She is a free spirit, a dreamer and when she falls in love with Marius, the logical, cold Roman man, it makes for an interesting relationship. The dynamics are definitely not that of a traditional one!
As with all of her novels, Anne Rice has done the research and paints a believable picture of ancient Rome in its glory and during its fall. From the reign of terror of Sejanus to the murderous paranoia and sadism of Tiberius all the way to the spread and eventual acceptance of Christianity, Anne Rice takes readers on an amazing introspective adventure. Pandora is actually my favourite book about Anne Rice’s vampires not just because I love Roman history, but because Pandora herself is one amazing three dimensional character.
I give this book 4.5/5 stars.
*Unfortunately, Amazon only has Pandora available in a double book with Vittorio the Vampire unless you want to purchase a used novel.
Emperor: The Death of Kings by Conn Iggulden
(Cover picture courtesy of Barnes and Noble.)
In a sparsely settled region of North Africa, a band of disheveled soldiers turn their eyes toward one man among them: their leader, Julius Caesar. The soldiers are Roman legionaries. And their quarry is a band of pirates who dared to kidnap Julius Caesar for ransom. Now, as Caesar exacts his revenge and builds a legend far from Rome, his friend Marcus Brutus is fighting battles of another sort, rising to power in the wake of the assassination of a dictator. Once, Brutus and Caesar were as close as brothers, devoted to the same ideals and attracted to the same forbidden woman. Now they will be united again by a shock wave from the north, where a gladiator named Spartacus is building an army of seventy thousand slaves—to fight a cataclysmic battle against Rome itself.
In The Death of Kings, Conn Iggulden has managed to simultaneously thrill and annoy me. He thrills me with his wonderful writing, the characters he brings to life and his fast-paced plot, yet he manages to annoy me in his usual fashion when he changes major historical events to suit his narrative. But before I start ranting, let me list the many reasons to read this novel.
It is mostly historically accurate and Iggulden excels in bringing near-mythical figures like Caesar, Sulla, Marius, Pompey and Cato the Younger to life. In their own time they were the leading men of Rome, but they had not achieved the legendary status they have today. Iggulden takes that into account as he develops these characters that are not much different than you or I. They love, lust, fight, cry, rejoice and, most importantly, have doubts about their abilities or if they are fighting for a worthy cause. One of my favourite characters (aside from Caesar himself) is Marius because he had always been a larger than life figure in my mind before Iggulden made him more human.
The Death of Kings is definitely more fast-paced than the first book because Caesar is grown up, more involved in politics and plays an active part in many battles that were going on at the time. There’s also an interesting subplot featuring Cornelia (his first wife) and Sulla that Iggulden uses to kill off the Dictator. We also see more of Brutus, who is a very strong, but fatally flawed character. These two subplots do not take away from all of the action and instead are used to bring the plot forward, which is why I love them.
But, as regular readers will know, Conn Iggulden annoys me because he sees fit to mess with history. He kills off Sulla and Cato, both of whom died many years after the events of The Death of Kings. In Iggulden’s novel, Sulla is poisoned when in fact he died of old age after retiring from the office of Dictator. Cato publicly commits suicide to avoid execution just before Pompey and Caesar go to put down Spartacus’s rebellion. Cato really did commit suicide, but it was not until after the battle of Pharsalus when Caesar finally defeated Pompey after a bitter civil war. In my opinion, killing off Cato so early denied us a look at the dour senator who was always a thorn in Caesar’s side.
I give this book 4/5 stars.