Tagged: science fiction
My Interview with Steve Poling
1. Where did the idea for Finding Time come from? Have you always been interested in science fiction?
I was a kid watching TV when they were launching rockets for the Gemini and Apollo projects. That was so cool I started reading any book I could find that had a rocket on the cover. I devoured everything in the school and small-town libraries I had access to. It didn’t hurt that I was good at science and math.
I read Brenda Clough’s story /May Be Some Time/–that she expanded it into a novel here. (You should read it.) Her premise is that polar explorer Titus Oates of the doomed Scott Expedition to the South Pole is rescued by time travelers. He is brought to the near future and adventure ensues.
I loved her story so much that it captured my imagination when I latched onto a historical tidbit: The Nazis set up clandestine radio broadcasting stations in Greenland to spoof the radio navigation systems of aircraft being ferried across the Atlantic. This resulted in at least one lost squadron. I told her about this, but she didn’t want to write the story.
So I did. “From Greenland’s Icy Mountains” turned out pretty good. I liked the time travelers, Sid & Nell–and how they bickered. This got me thinking about the knowledge lost when the Library of Alexandria was destroyed, so I wrote “Book of Life and Book of Glory. ” After that I was hooked. Anything I found in history that I wanted to rescue had me writing a Sid & Nell story. I loved creating the love-hate relationship between them. Continue reading
The Giver by Lois Lowry
(Cover picture courtesy of Whatcha Readin’, Books?)
Jonas’s world is perfect. Everything is under control. There is no war or fear or pain. There are no choices. Every person is assigned a role in the Community.
When Jonas turns twelve, he is singled out to receive special training from The Giver. The Giver alone holds the memories of the true pain and pleasure of life. Now it’s time for Jonas to receive the truth.
Okay, start writing your hate mail. I’m about to criticize what many laud as a literary masterpiece above questioning.
Here we have yet another popular novel that we have to ask ourselves about: Is it really worth all of the hype? In a word, no, but it’s not as simple as that. One of the main things that’s made this book popular is the fact that it’s studied by middle school students. In fact, I studied this book in grade 9 and having read it in grade 6, was incredibly bored. I remember telling my teacher that this wasn’t really a grade-appropriate novel, but it’s actually in the grade 9 curriculum in Saskatchewan, if you can believe it. Reading it years later, I thought I might get something new out of it, but I think I got the message the first time around.
My overall impression of The Giver is that it’s good, but it’s not the greatest thing since paper that educators seem to praise it as. It does have meaning and wonderful messages that make readers debate comfort versus freedom, but it feels as if Lois Lowry was trying too hard to make sure readers got this message. The phrase beat-you-over-the-head-with-a-stick-obvious comes to mind, which was even my impression when I first read the novel. The Giver was somewhat unique in its own time, but now with the explosion of YA dystopia, it is one novel among many that does not even stand out particularly well.
The main character Jonas is good, but he is not memorable. He rebels against the society and sees what’s wrong with it, but only after The Giver shows him quite a few memories of the freedom of the past. Before then, he’s hasn’t really questioned the society, which makes the novel start off fairly slow, but as Jonas acquires more memories, he does change for the better. He becomes angry and frustrated with his society, pining for freedoms he never knew he wanted. While Jonas has a lot of depth, but since emphasis is placed on controlling emotion, we don’t feel his emotions as well as we should.
The world of The Giver is well built, but it is nothing exceptional. What is interesting is the sheer amount of control the leaders have over the Community, which hammers home the “complete comfort at the price of freedom” message. One of the things that bugged me the most was that although this is classified as science fiction, we never really learn about how The Giver passes the memories of the past on to Jonas. There is no technology involved and it is only hinted at that The Giver and Jonas are special because they can See or Hear Beyond.
So in conclusion, The Giver actually is a good novel and a decent read, but it really felt like Lois Lowry was trying too hard to hammer the message home. Generations of kids have grown to dislike this book because teachers try to over-analyze the novel as well and I honestly can’t blame them.
I give this book 4/5 stars.
Extras by Scott Westerfeld
(Cover picture courtesy of Fantastic Fiction.)
A few years after rebel Tally Youngblood takes down the Specials regime, a cultural renaissance sweeps the world. “Tech-heads” flaunt their latest gadgets, “kickers” spread gossip and trends, and “surge monkeys” are hooked on extreme plastic surgery. Popularity rules, and everyone craves fame.
Fifteen-year-old Aya Fuse is no exception. But Aya’s face rank is so low, she’s a total nobody. An extra. Her only chance at stardom is to kick a wild and unexpected story.
Then she stumbles upon a big secret. Aya knows she is on the cusp of celebrity. But the information she is about to disclose will change both her fate…and that of a brave new world.
If you’ve read the first three books in the Uglies trilogy (which was turned into a series with the release of this book), you will get so much more enjoyment out of Extras. You’ll be able to see just how different Tally’s world has become and yet how much it is like our own world. In Aya’s world, popularity rules. The more popular you are, the more credits you get and the better your life is. But anyone who is not popular—which is most of the population—is an extra, a nobody. Does this remind anyone of high school?
What really stands out in Extras (for me at least) is the explosion of new technologies since Specials. Since practically no one over 16 is a bubblehead anymore, intelligence has been allowed to flourish and Scott Westerfeld describes the new advances in spectacular detail. With all of that new technology and freedom, “surges”—or surgeries—have also become popular, especially the extreme kind. It is a credit to Scott Westerfeld’s world-building abilities that he includes all kinds of people who change their bodies to create their idea of ‘true beauty.’ I find it fascinating what people choose to look like in Aya’s world since they are allowed to change themselves into whoever they want.
As usual, Scott Westerfled’s characterization is spot-on. Many readers will sympathize with Aya because she is the voice of teenage insecurity. Surrounded by beautiful people and being nothing more than an unimportant, faceless extra has really taken its toll on her. As a result, many teenagers will sympathize with her insecurities and will cheer her on as the plot speeds along.
I give this book 4/5 stars.
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
(Cover picture courtesy of That’s 2 For The Books.)
On 12 October 1979 the most remarkable book ever to come out of the great publishing corporations of Ursa Minor (and Earth) was made available to humanity – The Hitchhiker’s Guide to the Galaxy.
It’s an ordinary Thursday lunchtime for Arthur Dent until his house gets demolished. The Earth follows shortly afterwards, to make way for a new hyperspace bypass. And his best friend just announced that he’s an alien. At this moment, they’re hurtling through space with nothing but their towels and an innocuous-looking book inscribed with the big, friendly words: DON’T PANIC.
The weekend has only just begun…
At first, I hated this book. But then about halfway through, I finally caught on to Douglas Adams’ fantastic sense of humour. Yes, I’m ashamed it took me that long to catch on, but now I can honestly say The Hitchhiker’s Guide to the Galaxy is unlike any other book I have read before. It’s ironic, witty and it subtly pokes fun at a lot of science fiction clichés.
Aside from being laugh-out-loud funny in spots, the plot moves along quite nicely. The book is only a little over 100 pages, yet more happens in those 100 pages than in the over 700 pages of Brisingr. Douglas Adams’ easy to read, pared down style is a truly refreshing break from the exhausting descriptions of most sci-fi/fantasy novels. His dialogue is also what sets him apart; I read it aloud and it actually sounded how real people speak.
Of course my favourite part of the novel was the unforgettable characters. Ford Perfect, Zaphod Beeblebrox, Slartibartifast and many others are very memorable and will never truly leave you. They’re quirky, unique and, at times, utterly hilarious, which is what makes them stand out so much. The characters are just one of the many reasons to read this great novel.
I give this book 5/5 stars.