Tagged: witchcraft
The Witch of Painted Sorrows by M. J. Rose
(Cover picture courtesy of Goodreads.)
Possession. Power. Passion. New York Times bestselling novelist M. J. Rose creates her most provocative and magical spellbinder yet in this gothic novel set against the lavish spectacle of 1890s Belle Époque Paris.
Sandrine Salome flees New York for her grandmother’s Paris mansion to escape her dangerous husband, but what she finds there is even more menacing. The house, famous for its lavish art collection and elegant salons, is mysteriously closed up. Although her grandmother insists it’s dangerous for Sandrine to visit, she defies her and meets Julien Duplessi, a mesmerizing young architect. Together they explore the hidden night world of Paris, the forbidden occult underground and Sandrine’s deepest desires.
Among the bohemians and the demi-monde, Sandrine discovers her erotic nature as a lover and painter. Then darker influences threaten—her cold and cruel husband is tracking her down and something sinister is taking hold, changing Sandrine, altering her. She’s become possessed by La Lune: A witch, a legend, and a sixteenth-century courtesan, who opens up her life to a darkness that may become a gift or a curse.
This is Sandrine’s “wild night of the soul,” her odyssey in the magnificent city of Paris, of art, love, and witchery.
[Full disclosure: I requested and received a free ebook as part of the blog tour in exchange for an honest review.]
A while back in May 2014 I was on the blog tour for M. J. Rose’s book The Collector of Dying Breaths and I absolutely loved it. The characters were fantastic, the writing was so beautiful it was hard to describe and the plot twisted and turned so much that I just had to keep reading. Needless to say I had high expectations for this stand-alone novel The Witch of Painted Sorrows.
My high expectations were absolutely exceeded and this book is one of the rare cases where the cover is just as good as the actual content. It gives away the atmosphere of the novel just wonderfully: beautiful but haunting. It’s so rare that an author can keep that atmosphere up throughout the novel even if it’s only in the background during some scenes but M. J. Rose certainly managed to do that. Throughout Sandrine’s journey we experience her hopes, her joys and her sorrows as her life in Paris goes from fairly regular to extraordinary. I’m not generally a fan of Gothic novels in part because few authors can keep up the haunted atmosphere but Rose definitely did. Through her beautifully descriptive writing I experienced everything from the bustling streets of Paris to the hidden corners of an ancient and seemingly cursed house. I know I keep using the word beautiful to describe her writing, but there really is no other word that does it justice. She’s able to evoke complex emotions in the simplest of phrases, to appeal to all your senses at once, particularly smell. I can honestly say that I’ve never had an author describe things so vividly before.
Sandrine is a wonderful main character. At first she’s a lonely woman escaping a loveless marriage and the knowledge that her father’s death was the fault of her hated husband. She’s lived a life of immense privilege but has never really known happiness until she comes to Paris to reconnect with her grandmother, a famous courtesan. When she meets her grandmother’s architect Julien and discovers that her grandmother intends to turn the Maison de la Lune into a mere tourist attraction, things start to get weird. First she discovers that she’s actually attracted to Julien and possibly even loves him, something she’s never experienced before in her entire life. Second, her grandmother starts acting weird when she learns that Sandrine is spending her time at La Lune’s house and tries to nip her growing attraction to Julien in the bud. Then, when Sandrine discovers the secret room in the maison, the tension starts to ratchet up in ever increasing notches. Throughout the novel Sandrine really grows as a character but when she discovers the secret of La Lune she really comes into her own, bucking society’s expectations of her spectacularly and asserting her independence. But there’s of course a more sinister reason behind Sandrine’s personality change that starts to spiral out of control as Sandrine spends more and more time in the secret room with La Lune’s paintings.
Simply put, The Witch of Painted Sorrows is a book you’ll never really be able to put down until you finish it. Not only does M. J. Rose know how to keep up the Gothic novel atmosphere, she also knows how to slowly introduce tension and gradually increase it until you’re unable to put the book down. You’ll think to yourself: “one more chapter, just one more” and then it’ll be three in the morning and you’re just finishing the book twenty chapters later. It’s incredibly hard to put down not only because her pacing is good and the suspense is constant but because the plot twists and turns quite spectacularly. Just when you think you know what’s going to happen in the end, Rose puts another twist in the plot. By the last few chapters I was fairly certain what the ending was going to be but the rest of the book was fairly unpredictable and I have to give her credit for that.
Basically, this novel will suck you in and not let you go until you’ve finished. You’ll be drawn in by the suspense and the beautiful writing but it’s the fantastic and dynamic characters that will keep you reading on into the early morning hours. It’s hard not to fall in love with a novel like this, that’s for sure. And that’s also why I can’t recommend this book highly enough: if the blurb has in any way intrigued you, go and buy the book on March 17 of this year. You won’t regret it.
I give this book 5/5 stars.
The Devil’s Queen by Jeanne Kalogridis
(Cover picture courtesy of Goodreads.)
From Jeanne Kalogridis, the bestselling author of I, Mona Lisa and The Borgia Bride, comes a new novel that tells the passionate story of a queen who loved not wisely . . . but all too well.
Confidante of Nostradamus, scheming mother-in-law to Mary, Queen of Scots, and architect of the bloody St. Bartholomew’s Day Massacre, Catherine de Medici is one of the most maligned monarchs in history. In her latest historical fiction, Jeanne Kalogridis tells Catherine’s story—that of a tender young girl, destined to be a pawn in Machiavellian games.
Born into one of Florence’s most powerful families, Catherine was soon left a fabulously rich heiress by the early deaths of her parents. Violent conflict rent the city state and she found herself imprisoned and threatened by her family’s enemies before finally being released and married off to the handsome Prince Henry of France.
Overshadowed by her husband’s mistress, the gorgeous, conniving Diane de Poitiers, and unable to bear children, Catherine resorted to the dark arts of sorcery to win Henry’s love and enhance her fertility—for which she would pay a price. Against the lavish and decadent backdrop of the French court, and Catherine’s blood-soaked visions of the future, Kalogridis reveals the great love and desire Catherine bore for her husband, Henry, and her stark determination to keep her sons on the throne.
First off, I have to say that although this is historical fiction because it’s based off of the life of Catherine de Medici, it also has elements of fantasy because Jeanne Kalogridis takes the worst rumours about the queen’s witchcraft and imagines they were real. It’s not a bad approach and the broad strokes of Caterina’s life are of course accurate but just know that this is not strict historical fiction; there is quite a bit of fantasy.
Many of the characters are memorable but of course Caterina herself is the best. Her family was out of power when she was an adolescent and before she got married so not only did she experience the glamorous side of life but the rougher side that comes with strife, conflict and civil war. This early experience with a life-threatening situation leaves a chip on her shoulder that she will carry for the rest of her life. She knows that it is the most important thing she can do as a queen to produce a son (preferably lots of sons) but when her husband seems disgusted by her and she does not get pregnant she turns to witchcraft and blood magic. One particular scene is pretty horrific but it’s in keeping with her character: no matter the cost to herself she will have an heir and avert civil war. She does some pretty horrible things and although she’s not always completely sympathetic, I do feel for Jeanne Kalogridis’ version of her. Her husband is disgusted by her and goes to his mother figure/mistress Diane de Poitiers, she is not an attractive woman and is marginalized politically, etc. Caterina had a hard childhood matched by a hard life; she’s far from perfect but you do have to feel for her.
While the plot isn’t exactly fast-paced it is interesting. I’ve read only one other book about Caterina de Medici so it was nice to learn more about the civil strife that led to her imprisonment in two different nunneries as a preteen and how she was married off to King Henry (then prince). Once she gets to France there’s a lot of interpersonal conflict between characters but it’s not just drama for the sake of drama. Jeanne Kalogridis has a purpose to every scene and even though it may not seem like it at the time, every scene moves the plot forward to the horrifying conclusion. So while The Devil’s Queen is no action/thriller novel, it is very interesting and even if you know about her historical reign as queen and regent, Jeanne Kalogridis may just surprise you with some of the things she speculates at. Nothing is for certain at court, especially when it comes to the royal family.
I know a little about the period but as you’ve probably guessed I’m no expert. However, the main events of the story are very much real and Jeanne Kalogridis inserts those little details into everyday life that make you really feel like you’re there. Personally, I loved that the French all thought Caterina and her Italian entourage were positively barbaric for eating their food with the forks they brought with them. It’s just those little details that both make you laugh and educate you about how certain cultural practices became the norm in pretty much all of the Western hemisphere. There are so many more little details like that that you can tell Kalogridis really did her research (particularly about Medieval astrology). She combines fantasy and history perfectly into this harrowing tale of the complicated life of a complicated woman.
I give this book 5/5 stars.
Goddess Born by Kari Edgren
(Cover picture courtesy of Goodreads.)
Pennsylvania, 1730
Selah Kilbrid keeps a dangerous secret: she has the power to heal.
A direct descendent of the Celtic goddess Brigid, it’s Selah’s sacred duty to help those in need. But as the last of the Goddess Born living in the New World, she learned from an early age to keep her supernatural abilities hidden. The Quaker community of Hopewell has always been welcoming, but there’s no doubt they would see her hanged if her gift was revealed.
When a prominent minister threatens to try her with witchcraft unless she becomes his wife, Selah has only one hope–that her betrothed, a distant cousin from Ireland, arrives as planned. Marrying Samuel would keep her secret safe, preserve her sacred bloodline, and protect her from being charged as a witch.
But when news of Samuel’s death reaches the Colonies, Selah is truly on her own. Terrified, she faces an impossible choice–forfeit her powers and marry the loathsome Nathan? Or find an imposter to pose as her husband and preserve her birthright?
[Full disclosure: I received a free ebook in conjunction with the blog tour in exchange for an honest review.]
From the blurb, I had pretty high expectations about Goddess Born. Not only that, it came highly recommended to me from a friend/colleague! So you could say Kari Edgren’s book had a lot to live up to. As it turns out, Goddess Born would far exceed my high expectations. The characters were excellent, the world-building was fantastic and Kari Edgren brought the early Colonies to life.
First off, the characters were excellent. Selah in reality, had a horrible decision to make when she learned of her cousin’s death. Her father is dead so there’s no man to protect her from the law and Nathan’s wrath. Her only hope is to marry her cousin, who’s dead. But nobody in Hopewell knows that, do they? So she embarks on a long, arduous and sometimes funny journey when she marries Henry, an indentured servant set to play the role of her cousin. I don’t think it’s a spoiler to say that yes, of course Henry and Selah are going to develop feelings for each other, but I also have to say that those feelings were far from Insta-Love. In fact, it was almost Insta-Hate for a while there.
Both Selah and Henry stand out for me as characters. They both have complicated histories behind the circumstances that found them married and neither one is really keen to divulge their past to the other. At the same time, it’s obvious that both of them feel for the other’s plight. Selah doesn’t like forcing Henry into a marriage just to save her own skin and Henry doesn’t like the fact that he’s the only one standing between Selah and Nathan’s considerable wrath. He feels for Selah and she for him, but of course things are always more complicated than that.
As for the magic of Selah’s line, I think it was pretty well thought out. It comes from the Celtic goddess Brigid and puts a lot of strain on its possessors. They have the power of life and death over medical matters, so you really have to appreciate the fact that Selah is a good person who would never hurt anyone, even her own worst enemy. Power like that can become heady and change people, but Selah is the sweet and level-headed young woman that she always has been. What I really liked about the fact of Selah’s power is that she does run out and she does have to do a complicated ritual to renew it by going to the Otherworld. Maintaining her power is not easy and adds another layer of conflict, rather than like in most stories where the power is never-ending and/or naturally replenishes itself.
I have to say that I also loved both the descriptions of the time as well as the pacing of the plot. Kari Edgren really made me feel like I was in Pennsylvania in 1730, even though obviously I haven’t and I’ve never even studied that period of history. I can’t vouch for authenticity in her descriptions but I do know that her writing really makes you feel like you’re in the period. Sometimes that’s almost better than being accurate and boring. The pacing, however, doesn’t allow for boredom. It starts out a little slow at first, but quickly we have Selah’s life spiraling out of control as Nathan makes his ultimatum, her father dies, she learns her cousin dies and she marries an indentured servant to pose as him. There is no such thing as a boring moment in Goddess Born.
So, at the end of all this, I don’t have anything but praise for this book. It came highly recommended and exceeded my expectations. It was fast-paced, felt historically authentic and the characters were amazing. I can’t recommend it enough and even if you’re not necessarily a big reader of historical fiction, I’m pretty sure you’ll like it.
I give this book 5/5 stars.
Dark Aemilia by Sally O’Reilly
(Cover picture courtesy of Vulpes Libris.)
A TALE OF SORCERY AND PASSION IN SEVENTEENTH-CENTURY LONDON—WHERE WITCHES HAUNT WILLIAM SHAKESPEARE AND HIS DARK LADY, THE PLAYWRIGHT’S MUSE AND ONE TRUE LOVE
The daughter of a Venetian musician, Aemilia Bassano came of age in Queen Elizabeth’s royal court. The Queen’s favorite, she develops a love of poetry and learning, maturing into a young woman known not only for her beauty but also her sharp mind and quick tongue. Aemilia becomes the mistress of Lord Hunsdon, but her position is precarious. Then she crosses paths with an impetuous playwright named William Shakespeare and begins an impassioned but ill-fated affair.
A decade later, the Queen is dead, and Aemilia Bassano is now Aemilia Lanyer, fallen from favor and married to a fool. Like the rest of London, she fears the plague. And when her young son Henry takes ill, Aemilia resolves to do anything to save him, even if it means seeking help from her estranged lover, Will—or worse, making a pact with the Devil himself.
In rich, vivid detail, Sally O’Reilly breathes life into England’s first female poet, a mysterious woman nearly forgotten by history. Full of passion and devilish schemes, Dark Aemilia is a tale worthy of the Bard.
[Full disclosure: I received a free paperback copy of this book for the blog tour in exchange for an honest review.]
I was really surprised at Dark Aemilia and I’m not really all that surprised when it comes to historical fiction anymore. This truly is a tale of love and hate, revenge and kindness and the power of the written word. Everyone makes mistakes, sometimes with dire consequences.
Aemilia herself is a fascinating lady: sh’`s mistress to a much older rich man at a very young age but then falls in love with a penniless playwright and poet. Who is, of course, William Shakespeare. The romance is quite tumultuous and although at first they both seem to hate each other (Aemilia hated The Taming of the Shrew) their love ends up being too strong and later turns to hate. Aemilia is not always sympathetic, I’ll admit, but she is a fascinating character and you really do understand things from her point of view. She has to make some harrowing choices that cost her almost everything, including very nearly her sanity.
What really surprised me about Dark Aemilia is not only Sally O’Reilly’s clear love of Shakespeare (for she incorporates his plays whenever she can) but her mastery of Old English. This isn’t some pseudo-medieval dialogue, but rather some very authentic language that you would expect to find in documents from the time. She even uses slang that was common in during the time, like ‘dugs’ and ‘chuck’. Little historical details like this really bring the period to life.
The plot isn’t exactly fast-paced, but as I said it is interesting. I couldn’t put this book down and was up until two in the morning to finish it because I had to know what happened to Aemilia. The ending was quite sad but also satisfying because Aemilia never really changed. She stayed true to herself and in the end got that measure of freedom she yearned for her whole life. It`s a bittersweet ending because you think of what might have been, but Shakespeare was known for his tragedies so I guess it is quite fitting.
If you have ever admired or even read Shakespeare, I can’t recommend this book enough. I absolutely loved it!
I give this book 5/5 stars.